The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II) — John Shaqi
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
The first authority from whom we get any _personal_ account of Arthur
is Caradoc, if Caradoc it be. The biographer makes his hero St Gildas
(I put minor and irrelevant discrepancies aside) contemporary with
Arthur, whom he loved, and who was king of all Greater Britain. But
his brother kings did not admit this sovereignty quietly, and often
put him to flight. At last Arthur overthrew and slew Hoel, who was his
_major natu_, and became unquestioned _rex universalis Britanniae_, but
incurred the censure of the Church for killing Hoel. From this sin
Gildas himself at length absolved him. But King Melvas carried off
King Arthur's queen, and it was only after a year that Arthur found
her at Glastonbury and laid siege to that place. Gildas and the abbot,
however, arranged matters, and the queen was given up. It is most
proper to add in this place that probably at much the same time as the
writings of Caradoc and of Geoffrey (_v. infra_), or at a time not
very distant, William of Malmesbury and Giraldus Cambrensis give us
Glastonbury traditions as to the tomb of Arthur, &c., which show that
by the middle of the twelfth century such traditions were clustering
thickly about the Isle of Avalon. All this time, however, it is very
important to notice that there is hardly the germ, and, except in
Caradoc, not even the germ, of what makes the Arthurian Legend
interesting to us, even of what we call the Arthurian Legend. Although
the fighting with the Saxons plays an important part in the _Merlin_
branches of the story, it has extremely little to do with the local
traditions, and was continually reduced in importance by the men of
real genius, especially Mapes, Chrestien, and, long afterwards,
Malory, who handled them. The escapade of Melvas communicates a touch
rather nearer to the perfect form, but only a little nearer to it. In
fact, there is hardly more in the story at this point than in hundreds
of other references in early history or fiction to obscure kinglets
who fought against invaders.
[Sidenote: _The version of Geoffrey._]
Public-domain text, read in full here on John Shaqi.
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