The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II) — John Shaqi
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
And it is again very important to observe that, though under the hands
of Geoffrey of Monmouth the story at once acquires more romantic
proportions, it is still not in the least, or only in the least, the
story that we know. The advance is indeed great. The wonder-working of
Merlin is brought in to help the patriotism of Arthur. The story of
Uther's love for Igraine at once alters the mere chronicle into a
romance. Arthur, the fruit of this passion, succeeds his father,
carries on victorious war at home and abroad, is crowned with
magnificence at Caerleon, is challenged by and defeats the Romans, is
about to pass the Alps when he hears that his nephew Mordred, left in
charge of the kingdom, has assumed the crown, and that Guinevere
(Guanhumara, of whom we have only heard before as "of a noble Roman
family, and surpassing in beauty all the women of the island") has
wickedly married him. Arthur returns, defeats Mordred at Rutupiae
(after this battle Guinevere takes the veil), and, at Winchester,
drives him to the extremity of Cornwall, and there overthrows and
kills him. But the renowned King Arthur himself was mortally wounded,
and "being carried thence to the Isle of Avallon to be cured of his
wounds, he gave up the crown to his kinsman Constantine." And so
Arthur passes out of Geoffrey's story, in obedience to one of the
oldest, and certainly the most interesting, of what seem to be the
genuine Welsh notices of the king--"Not wise is it to seek the grave
of Arthur."
[Sidenote: _Its_ lacunae.]
Public-domain text, read in full here on John Shaqi.
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