The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)Kock, Paul de
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The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)
Kock, Paul de
French fiction -- Translations into English
“Yes, mother; you see, first of all, I went down to borrow from the
concierge, Monsieur Baudoin; but it wasn’t any use for me to knock at
their door, I couldn’t wake them, they’re worse than deaf people. So
then I was coming up again in very low spirits, indeed, I believe I was
crying, when the door on the third landing opened, and the gentleman who
lives there came out to me. Oh! this thing proves, mother, that people
very often say foolish things, or that it’s very wrong to judge a
person by his appearance. For that gentleman that they call the Bear,
that gentleman that never speaks to anybody, and that everybody makes
stupid jokes about, why, he took me into his room, and gave me all these
things for you, because I told him that you were sick; and he didn’t
even let me thank him!--Ah! you miserable charcoal! you’ve got to burn!
Now I am going to put some water over the fire.”
“But, my dear, this is an enormous loaf of sugar, and it is almost
whole; you ought not to have borrowed so much as this.”
“As if that gentleman would listen to me! He says: ‘Take this!’ and if
you try to remonstrate, he shouts: ‘Hold your tongue!’ and it’s
impossible to prevent him from doing what he wants to.--Ah! my fire is
going at last!”
“But this Monsieur Malberg--for the gentleman of the third floor is
named Malberg--I have never met him; what sort of looking man is he,
Georget? You must have had a good look at him, didn’t you?”
“Oh, yes! mother; why, he’s a man neither young nor old. At first sight,
I am sure that you would take him to be older than he really is, because
when a person never laughs, that makes him look older. He may be
somewhat over fifty years old; his face is not ugly, not by any means,
but his features have a sort of stern expression; his eyes are always
gloomy and melancholy, and there are great wrinkles on his brow; his
eyebrows are heavy, and his hair must have been black, but it’s a
little gray now. When he fixes his great brown eyes on you, it frightens
you; and yet I got used to them, for his expression is neither unkind
nor contemptuous; it’s--I don’t know just how to describe it--it’s sort
of compassionate, or sorrowful; and his voice, which sounds harsh at
first, is much less so when he’s talked to you for some time. You see,
mother, that gentleman isn’t like most people; oh, no! he makes you
respect him, and it comes natural to obey him, and you don’t dare to say
anything.”
“Really, my dear, you make me long to know this gentleman; when I am
able to go out, I shall go to thank him. And did you tell him----”
“Just how we are placed, what we used to be, and what father did. Yes, I
told him everything. Did I do wrong?”
“No, my boy, we have done nothing which we need to be ashamed of or to
conceal.”
“Ah! my water is boiling; now I am going to make you some herb tea,
mother; which would you rather have?”
“Why, tell me first what you have in your pocket.”
Public-domain text, read in full here on John Shaqi.
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