The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)Kock, Paul de
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The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)
Kock, Paul de
French fiction -- Translations into English
“What’s that! what connection? What do you mean by that, Astianax? Isn’t
to-morrow your father’s fête-day, as his name is Honoré? We are going to
give him flowers as usual. I select this pomegranate, which is very
handsome; I don’t see what there is in that to surprise you.”
“It isn’t that, mamma; I said: ‘what connection is there between a
pomegranate--_grenadier_--and my father, who has never been a soldier?’
Oh! if he had been a soldier, I could understand your choice of this
shrub and the allusion, but----”
“But, my dear boy, you are terribly tiresome with your allusions; you
want to put allusions in everything; just wait until you are a man.”
“Excuse me, dear mamma, but flowers have a language; so in your place I
should have thought that a myrtle, the emblem of love----”
“My dear boy, I have been giving your father myrtles for twenty years
and he must have had enough of them. Everything in life goes by, and we
have used the myrtle long enough; it seems to me that I can properly
vary it a little. After twenty years one is not forbidden to change
bouquets. I have decided, I am going to buy this pomegranate.--Don’t you
think, Eolinde, that this will please your father?”
“Oh! ye--ye--yes, it will pl--please him very mu--u--uch.”
“But what are you going to buy for him? You must make up your mind,
children, for we intend to go to the play after dinner, and it is
getting late.”
“B--b--bless me!” replied the tall young lady, “I would li--i--ike that
fl--fl--flower--you know--you know--it’s the--I d--d--don’t see it.”
“But what flower? tell us its name.”
“I d--d--don’t reme--e--ember.”
“In that case, ask the woman if she has any,” said Monsieur Astianax,
smiling maliciously, for he very often made fun of the difficulty which
his sister had in speaking.
“What a stu--u--u--pid you are, Astianax!” cried the girl, shrugging her
shoulders and looking down at her brother as if she were searching for a
little dog. “Let me alo--o--one; it’s a flow--ower with b--b--bells.”
“Bells?”
“No, little bell-flowers--brown.”
“Oh, I know what you mean, daughter; it is a--I don’t know the name; but
come, I saw some over yonder.”
And the stout lady, having paid for the pomegranate and hired a porter
to carry it, led her daughter to the booth of a dealer who had a large
assortment of tulips. Mademoiselle Eolinde examined them for some time,
then murmured:
“This isn’t what I wanted. No matter, let me see. Oh! they don’t
smell--they don’t smell of anything; I’d rather get something else.”
“Well, what? Come, choose.”
“Oh! see that fl--flower over there; a m--m--mag--no----”
“The name makes no difference, let us go and buy it.”
Mademoiselle Eolinde stopped in front of a magnificent magnolia, which
had already flowered in the heat of a greenhouse; she placed her nose
upon the lovely white egg-shaped blossom, which, as it opened, exhaled a
delicious odor of orange and lemon; then she raised her head and said:
“That smells too strong.”
Public-domain text, read in full here on John Shaqi.
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