The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV) — John Shaqi
The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)Kock, Paul de
General
The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)
Kock, Paul de
French fiction -- Translations into English
“Look here, mamzelle!” cried the flower woman, irritated to see the tall
girl take her mother away in another direction, “you mustn’t stick your
face on our flowers like that! Did anyone ever see such a bean-pole as
that creature who buries her muzzle in the blossom of my magnolia, and
then walks off, as if she had been sniffing at my poodle’s tail! Go on,
you long-legged cockroach! Go somewhere else and buy Indian pinks,
they’ll suit you better!”
The Glumeau family did not hear, or rather pretended not to hear the
somewhat forcible complaints of the woman with the magnolia; they had
stopped in front of a booth where there was a large quantity of laurel.
Mademoiselle Eolinde, whom the lesson which she had just received had
not corrected, smelled several laurel bushes and cried:
“Ah! that sm--smells nasty!”
This time Madame Glumeau hastily dragged her daughter away, saying in
her ear:
“Why, Eolinde, do you want to get into a row and have scenes with all
these flower women? You shouldn’t say such things as that, my girl,
especially when you don’t buy; and if you won’t decide upon what you
want, we will go away and you won’t have a flower to give your father,
who is so fond of them. That will be very nice on his birthday!”
“If you will take my advice, sister,” said Monsieur Astianax, “you’ll
give our father a pot of immortelles, because you see the immortelle
means that he will live a long time, and the allusion is easily
understood.”
“A pot of immortelles!” cried the mother; “they are lovely flowers, upon
my word! You are mad, Astianax! You might as well give your father a pot
of sweet-basil such as the cobblers have in their stalls.--Look,
Eolinde, there is a superb rosebush! come, let us buy that,--that will
be your bouquet.”
“Oh! but a ro--o--osebush; I wanted s--s--something else.”
“That is to say, you don’t know what you do want; and this unfortunate
messenger who is following us with that huge pomegranate in his arms,
looks as if he were swimming in perspiration.”
“Why, it isn’t so ve--ve--very hot, mamma!”
Madame Glumeau, paying no heed to the lamentations of her daughter, who
did not want the rosebush, but did not know what she did want, ordered
her messenger to take the flower, then turned to her son and said:
“Now, Astianax, you are the only one who has not chosen a flower, but I
believe you told me that you preferred to give your father a bouquet to
carry in the hand.”
“Yes, dear mamma, because in a bouquet for the hand, you choose
different flowers, which have even more meaning when placed side by
side. The Turks call that a _selam;_ I mean to give my father a
_selam._”
“But in what connection? Your father never has claimed to be a Turk, so
far as I know! He won’t have any idea what your bouquet means.”
“I beg your pardon, dear mamma, I will explain the allusion to him.”
“All right, but make haste; it seems to me that you might very well have
selected your oriental bouquet while we were choosing our plants!”
Public-domain text, read in full here on John Shaqi.
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