The Flower Girl of The Château d'Eau, v.2 (Novels of Paul de Kock Volume XVI)Kock, Paul de
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The Flower Girl of The Château d'Eau, v.2 (Novels of Paul de Kock Volume XVI)
Kock, Paul de
French fiction -- Translations into English
On approaching the place where the pretty girl kept her booth, Georget
felt his legs tremble and give way under him. His heart beat so
violently that he placed his hand against it, trying to suppress its
throbbing. The poor boy had never been so intensely agitated. He longed,
yet dreaded, to turn his eyes toward the place where he used formerly to
stop so often. At last, taking advantage of a moment when many people
were between him and that spot, he raised his eyes and looked; he saw
Violette, and after that his glance remained fastened upon her. At that
moment indeed, the flower girl, being busily engaged in making bouquets,
was looking at her tray and was paying no attention to the passers-by.
Violette was as fascinating as ever; but the rosy tinge of her
complexion had almost entirely disappeared, her brow was careworn, and
all her features bore the stamp of melancholy; far from impairing her
beauty, however, it gave a new charm to her whole person.
Georget instantly observed the change, the pallor which had replaced the
roses that formerly adorned Violette's cheeks; and in a second, twenty
thoughts rushed through his mind.
"Why that sad, downcast expression?--Why this change, this pallor?--Why,
even while arranging her flowers, does her brow remain pensive and
careworn?--Is she sick?--Is she unhappy?--Who can make her so?--What is
she thinking about at this moment?"
Georget asked himself all these questions in less than a minute. But the
last was the one of all others which he would have given everything in
the world to be able to answer! Of what was she thinking at that moment?
Is not that always what a lover asks, when he can observe his mistress
unseen, and when he sees that she is thoughtful? But it is also the
question which most frequently remains unanswered.
Quite a long time passed and Georget was still in the same spot, with
his eyes fixed upon Violette, who did not see him. More than once the
young man was pushed aside and jostled by the passers-by, by people
carrying flowers.
"Look out!" they would shout at him; "stand out of the way! let us pass!
Is the fellow stuck to the concrete?"
But Georget did not stir, he did not even hear, he did not even feel the
jostling; it seemed as if his whole being were concentrated in his eyes,
and as if he only existed through them.
But he had no choice save to emerge from his trance and to reply, when
he suddenly felt a pair of wiry arms thrown about him, and someone began
to dance up and down in front of him and embrace him, exclaiming the
while:
"Ah! so here you are, my poor Georget! You're not dead, or melted! How
glad I am! I thought you must be in the canal or in a well, or caught in
a slide in the Montmartre quarries! Let me embrace you, _saperlotte_!
You villain! you brute! to disappear like this and leave your friends in
despair! Let me embrace you!"
Georget recognized his former comrade, and he felt touched by the joy
Chicotin showed as he gazed at him.
Public-domain text, read in full here on John Shaqi.
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