Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
Johnathan Forge did not return that evening. All that night he walked
the streets, debating whether he should call down God’s curses on his
boy. He actually believed that if he did, the son’s life would be
blasted forever. Morning came cold and gray and clammy across the
eastern hills.
But in the morning the Forge household resumed the even tenor of its
way. Only Johnathan did not speak to his son for four days and then only
on matters of absolute necessity.
Nathan, however, had made a discovery. This is a world in which people
suffer and endure exactly what they choose to suffer and not much more.
When the worm turns, ninety per cent. of the early birds turn also.
As a discovery, it opened many prolific possibilities.
VI
Johnathan, on that night’s walk, however, had determined upon a maneuver
and reached a great decision.
If he could not control his son by scoring his body with a harness tug
for the good of his soul, he would employ tact and discretion. In order
to save his son from a horrible life of poetry, he would get into some
business, ostensibly of a manufacturing nature, which might grip his
boy’s interest as his own, and set up an industrial counter-irritant to
poetic pathology.
If Nathan hadn’t written that Pagan poem and set his father by the ears,
Johnathan would never have gone into business and taken Nathan with him.
And if he had not gone into business and taken Nathan with him, all the
course of the boy’s life would have been changed.
Viewed from the perspective of the present, truly it was a happy
stroke,—writing that Pagan poem.
------------------------------------------------------------------------
CHAPTER XV
VALLEY LAMPS
I
Madelaine Theddon was seventeen that autumn. She was one of those rare
girls who seem to slip subtly into maturity while contemporaries of
equal age are giggling over pimply-faced lovers, locking themselves away
in bedrooms to indite silly _billet-doux_, sighing over novels or
clandestinely “putting up their hair.”
On an afternoon in mid-September she had climbed Mt. Tom with a party of
schoolmates older than herself in nothing but years. They had
accidentally (?) encountered college boys from Amherst. They lunched,
flirted, drank and danced in the great, airy Summit House.
Madelaine was an accomplished dancer because of her litheness and
exquisite grace of carriage. Yet to-day she had not cared for dancing.
“Old Mother Hubbard” the boys often nicknamed her,—and left her alone.
It was increasingly difficult for Madelaine to endure the crudities and
vaporings of slangy, big-footed adolescence. They had left her much
alone to-day.
Public-domain text, read in full here on John Shaqi.
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