The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
_Susan._ Nobody, but such a wicked creature as you, could
ever invent such scandalous tales, to the ruin of a poor
Youth, who has unhappily fallen into his Lord’s disgrace.
_Basil._ I invent! Why it is in every body’s mouth.
(_The Count discovers himself, and comes
forward._)
_Count._ How! In every body’s mouth!
_Basil._ Zounds.
_Count._ Run, Basil, let him have fifty pistoles and a
horse given him, and sent back to his friends instantly.
_Basil._ I’m very sorry, my Lord, I happened to speak--
_Susan._ I’m quite suffocated.
(_Susan seems almost ready to faint, the Count
supports her, and Basil assists._)
_Count._ Let us seat her in this great chair, Basil.
_Susan._ (_Frightened, and exclaims_) No!--I won’t sit
down!----(_After a pause_)--This wicked fellow has ruined
the poor boy.
_Basil._ I assure you, my Lord, what I said, was only meant
to sound Susan.
_Count._ No matter, he shall depart! A little, wanton,
impudent Rascal, that I meet at every turning--No longer
ago than yesterday I surprised him with the Gardener’s
daughter.
_Basil._ Agnes?
_Count._ In her very bed-chamber.
_Susan._ Where my Lord happened to have business himself.
_Count._ Hem!--I was going there to seek your uncle
Antonio, Susan, my drunken Gardener; I knock’d at the door,
and waited some time; at last Agnes came, with confusion
in her countenance--I entered, cast a look round, and
perceiving a kind of long Cloak, or Curtain, or some such
thing, approach’d, and without seeming to take the least
notice, drew it gently aside, thus--Hey!
_Basil._ Zounds!
(_The Count, during his speech, approaches the
arm chair, and acting his description draws
aside the gown that hides the Page. They all
stand motionless with surprise, for some time._)
_Count._ Why, this is a better trick than t’other!
_Basil._ No!--I won’t sit down! (_Mimicking Susan._)
_Count._ (_To Susan_) And so it was to receive this pretty
Youth, that you were so desirous of being alone--And you,
you little Villain, what you don’t intend to mend your
manners then? But forgetting all respect for your friend
Figaro, and for the Countess your Godmother, likewise, you
are endeavouring here to seduce her favourite woman! I,
however (_turning towards Basil_) shall not suffer Figaro,
a man--whom--I _esteem--sincerely_--to fall the Victim of
such deceit--Did he enter with you, Basil?
_Basil._ No, my Lord.
_Susan._ There is neither Victim nor deceit in the case, my
Lord. He was here when you entered.
_Count._ I hope that’s false: his greatest Enemy could not
wish him so much mischief.
_Susan._ Knowing that you were angry with him, the poor Boy
came running to me, begging me to solicit my Lady in his
favor, in hopes she might engage you to forgive him; but
was so terrified, as soon as he heard you coming, that he
hid himself in the great Chair.
_Count._ A likely story--I sat down in it, as soon as I
came in.
Public-domain text, read in full here on John Shaqi.
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