The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
_Figaro._ “There are Truths that may be spoken: such as
the Peccadillos of a poor Rascal! Truths that may not be
spoken: such as the Robberies of a rich Rascal--There are
your Truths comprehensible: such as that two and two make
four; and your Truths incomprehensible: such as that two
and two make five--Then there are your Tradesman’s Truths,
which he retails to his Customers, your Lover’s Truths,
which he pours wholesale into his Mistress’s ear--Your
Courtier’s Truths, on which he feeds his Dependants
and Parasites--Your Court of Law, or Kiss-the-Book
Truths, which are the daily support of a _vast_ number
of _very_ honest people--There are also your physical
and metaphysical Truths--Your old Truths and your new
Truths--Your heterodox and orthodox Truths--Your Mahometan
Truths, your Jewish Truths, and your--other kind of truths,
concerning which there never was nor ever will be any
doubt--Not to mention your Truths _in_ fashion: such as
that Idleness, Ignorance, Dissipation, Gaming and Seduction
are the requisites of a Gentleman--And your Truths _out_ of
fashion: such as that Gentleness, Obedience, Œconomy, and
connubial Love are the requisites of a _Gentlewoman_.
_Susan._ “I find by your account of the matter, Figaro,
that poor Truth, like a Lottery Ticket, is so divided and
sub-divided, so halved, quartered, cut, carv’d, split and
spliced, it is no where entire to be found.
_Figaro._ “No where.
_Susan._ “And moreover, that what is Truth to-day may be a
Lie to-morrow.
_Figaro._ “May be! Must be.
_Susan._ “Consequently, that in less than twenty-four
hours, my very tender submissive, ardent Lover may be
metamorphosed into an arbitrary, cold, haughty _Husband_.
_Figaro._ “Impossible!--Impossible, my Susan! As it is
for thee, my gentle, kind, and beauteous Bride, to be
transformed into an ill-tempered, extravagant slatternly
_Wife_.
_Susan._ “I understand thee”}}--Well, Well--We will
endeavour to convert the iron Bands of Matrimony into a
flowery Wreath which Love shall teach us to bear lightly
and joyously through Life.
_Figaro._ Aye, and thus live a happy Exception to the
established usage of a mad World.
_Susan._ But prithee, who is to go disguised and meet the
Count?
_Figaro._ Who?--Nobody--Let him wait and fret, and bite his
Nails--I never meant thou shouldst go.
_Susan._ I assure thee I never had any inclination.
{{_Figaro._ “Is that the real Truth, Susan?”
_Susan._ “What! Thinkest thou I am as learned as thou art?
And that I keep several sorts of Truths?”}}
_Figaro._ (_With fond Vivacity_). And dost thou love me?
_Susan._ (_Tenderly_). Too much, I doubt.
_Figaro._ Ah!--That’s but little.
_Susan._ How!
_Figaro._ In Love’s Creed, too much is not even enough.
_Susan._ I understand nothing of this over-refinement, but
I feel I shall love my Husband most heartily.
_Figaro._ Keep thy word, and put our modern Wives to the
blush.
_Susan._ Afford them a subject to laugh and point at, thou
mean’st.
_Enter the_ COUNTESS.
Public-domain text, read in full here on John Shaqi.
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