Later on in the day he came up to her boudoir, and said to her: “I have told him I am quite willing to have my caricature in his paper.” “Your portrait,” she said. “All right. Leave me now, Eustace; I have some writing to do.” As soon as he had gone she sat down and wrote a short letter, which she posted herself. A month later Eustace came bounding up the stairs to find her. “Winnie, Winnie!” he called. “Where are you? I’ve something to show you.” He held a newspaper in his hand. Winifred was not in the room. Eustace rang the bell. “Where is Mrs. Lane?” he asked of the footman who answered it. “Gone out, sir,” the man answered. “And not back yet? It’s very late,” said Eustace, looking at his watch. The time was a quarter to eight. They were dining at half-past. “I wonder where she is,” he thought. Then he sat down and gazed at a cartoon which represented a thin man with a preternaturally pale face, legs like sticks, and drooping hands full of toys--himself. Beneath it was written, “His aim is to amuse.” He turned a page, and read, for the third or fourth time, the following: “Mr. Eustace Lane. “Mr. Eustace Bernhard Lane, only son of Mr. Merton Lane, of Carlton House Terrace, was born in London twenty-eight years ago. He is married to one of the belles of the day, and is probably the most envied husband in town. “Although he is such a noted figure in society, Mr. Eustace Lane has never done any conspicuously good or bad deed. He has neither invented a bicycle nor written a novel, neither lost a seat in Parliament, nor found a mine in South Africa. Careless of elevating the world, he has been content to entertain it, to make it laugh, or to make it wonder. His aim is to amuse, and his whole-souled endeavour to succeed in this ambition has gained him the entire respect of the frivolous. What more could man desire?” As he finished there came a ring at the hall-door bell. “Winifred!” he exclaimed, and jumped up with the paper in his hand. In a moment the footman entered with a note. “A boy messenger has just brought this, sir,” he said. Eustace took it, and, as the man went out and shut the door, opened it, and read: “Victoria Station. “This is to say good-bye. By the time it reaches you I shall have left London. Not alone. I have seen the cartoon. It is very like you. Winifred.” Eustace sank down in a chair. On the table at his elbow lay _Vanity Fair_. Mechanically he looked at it, and read once more the words beneath his picture, “His aim is to amuse.” End of Project Gutenberg’s The Folly Of Eustace, by Robert S. Hichens