The foreign debt of English literatureTucker, T. G. (Thomas George)
History
The foreign debt of English literature
Tucker, T. G. (Thomas George)
Comparative literature; English literature -- History and criticism
It is needless for our purpose to follow further the story of Spanish
literature, which, since the seventeenth century, has been singularly
barren, and, in any case, has exerted no appreciable effect whatever upon
our own. On the whole it has been justly said that the writing of Spain
has not been quite worthy of the nation. Perhaps its best work, leaving
Cervantes aside, has been in history, from which, however, we have
derived no definite influence which can be classed as literary. Apart
from these its merits are those of inventiveness in plot and of a certain
high conception of dignity—a most consistent trait of the Spaniard. But
it is a literature wordy in expression, lacking in insight, and seldom
concerning itself with the deeper interests of human life.
BRIEF CONSPECTUS OF SPANISH LITERATURE.
DEPARTMENT OF LITERATURE.
CHIEF REPRESENTATIVE OR WORK.
DATE.
SOME EFFECTS ON ENGLISH LITERATURE.
Fiction:
(_a_) Moral Tales
Don Juan MANUEL (_Count Lucanor_)
Early fourteenth century
Passed into stock of _fabliaux_ and _novelle_, and thence
occasionally reappear, _e.g._, in _Taming of the Shrew_.
CERVANTES (_Novelas Exemplares_)
1613
Utilized by later Elizabethan playwrights, _e.g._, Middleton’s
_Spanish Gipsy_, Fletcher’s _Fair Maid of the Inn_.
(_b_) Chivalric Romances (Libros de Caballerias)
_Amadis of Gaul_
Fourteenth century
_Palmerin_, _Palmerin of England_, etc.
Fifteenth century
The chivalric romances, combined with the pastoral, led (through
D’Urfé) to the French “heroic romances” of La Calprenède and
Scudéry. For their effect on English work, _see_ French
Literature.
(_c_) Pastoral Romance (part prose, part verse)
MONTEMAYOR (_Diana_)
1520-1562
CERVANTES (Galatea)
1585
The _Arcadia_ of Sidney and Spenser’s _Shepheard’s Calender_
owe some influence to Montemayor. _Diana_ was Englished at
the end of the sixteenth century.
(_d_) Romance of Common Life
_Celestina_ (_Calisto and Meliboea_)
Fifteenth century
Picaroon Novels (Novelas de Picaros)
_Lazarillo de Tormes_, _Guzman de Alfarache_
1554, 1599
QUEVEDO (_Life of Buscon_)
1626
The original source of the picaroon (or picaresque) novel, first
seen in England in, _e.g._, Nash’s _Jack Wilton_. In
France passed through Scarron to Lesage. Taken up by Defoe
(_Moll Flanders_, etc.), Fielding (_Joseph Andrews_),
Smollett (_Roderick Random_, etc.). Revived by Dumas and his
followers.
(_e_) Satirical
CERVANTES (_Don Quixote_)
1547-1616 (_D.Q._ 1605)
Greatly read and quoted in England at all times. Imitated in
Butler’s _Hudibras_.
Poetry:
(_a_) Early Romance
_Poem of the Cid_
Twelfth and thirteenth centuries
(_b_) Learned Poetry (lyric)
GARCILASO DE LA VEGA
1530-1568
GONGORA
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