The foreign debt of English literature — John Shaqi
The foreign debt of English literatureTucker, T. G. (Thomas George)
History
The foreign debt of English literature
Tucker, T. G. (Thomas George)
Comparative literature; English literature -- History and criticism
Nevertheless, Latin literature is of immense importance. We may think of
the prodigious historical significance of the pagan Roman Empire, and
then of the prodigious spiritual significance of the Christian Roman
Church. We may think of the impress that has been left on all Western
Europe by these, and remember that the language of each is Latin. The
necessity of not neglecting the mere language is obvious. But we are here
concerned with Latin literature, of which the language is but the vehicle.
* * * * *
Where does Latin literature begin and end?
Writing in Latin has not ended yet. But we shall for the present confine
ourselves to the Latin works of pagan Rome, in the days when Rome can
fairly be called a nation of tolerably homogeneous life and pursuits.
Though the writings of Tertullian, Lactantius, Jerome and Augustine, in
the third and fourth centuries, are undeniably Latin, and literature
also, we can on this principle draw a tolerably clear line against them.
Similarly the later poets, such as Ausonius, Claudian, and Boethius, lie
outside the scope of the present chapter.
From the third century B.C. onwards, the Latin-speaking Romans, beginning
as a mere clan in central Italy, spread their empire gradually over the
peninsula, over France, Spain and Portugal, over Great Britain to the
Grampians, across the Rhine, along the Danube, over modern Turkey and
Greece, over Asia Minor and Syria to the river Euphrates, over most
of Arabia, Egypt, and all the southern coast of the Mediterranean. In
Spain and Portugal, in France, and in Roumania they planted colonies and
settlements, till the languages of those countries actually became Latin;
dialects, no doubt, but Latin. Over all this empire Latin literature
spread with the spreading of control and settlement, and in the first
century of our era it was as natural for a Latin writer to hail from
Spain as from Rome. Persons no less than Seneca, Lucan, Quintilian, and
Martial are Spaniards from towns later known as Cordova, Calahorra and
Bambola. Subsequently Africa (Tunis) and Gaul have their distinguished
representatives.
Considerations like these should make it clear how vast an influence
Latin literature must have wielded both directly and indirectly. The
modern languages of France, Spain, Portugal, Roumania, and Italy are
various continuations of the Latin; and France, Spain, Portugal, and
Italy, despite all historical changes, have been neither able nor
desirous to shake off the guidance and impulses of Latin literature. This
is one reason why it is the French and Italians who find their chief
study in Virgil and Horace, Cicero and Seneca, whereas the Teutons,
exerting a greater freedom of choice, more distinctly recognize the
superiority of Homer and Sappho, Demosthenes and Aeschylus.
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