The sensation that we have already seen or lived or heard something
is similarly explained. Each active moment is an amalgam of
sentiments and wills and multiple elements which split apart as soon
as the purpose is achieved. The moments of its duration then scatter
through space and time, taking with them remains of their charged
sounds, colours, and scents, with atmospheres of joy or sadness not
fully perceptible by our limited senses, but certainly to be opined,
and almost to be felt. We may pursue this train of thought a little
farther, and be prepared to accept that certain places derive a
special atmosphere from the events of which they have been the
setting, and may preserve it indefinitely. We are often sensible of
particular associations which hang about such and such a feature: one
place may instil terror, and others peace, disquietude, mystery, or
love, without any apparent quality in their disposition to account
for the possession of such power. The reason is that the events or
thoughts or actions of which they have been the scene have left
traces within the four walls of the room, in the branches of the
tree, or in the various features of the place. In fact, the seconds
of old time are yet living there, loaded with old association, and as
they whirl and vibrate they sensitize us with their invisible rays.
If we were endowed with new faculties, sensitive to such influences
as now escape us, and with them were able to apprehend and analyse
these scattered fragments of the past, these waifs of dead
adventures, then we might be able to reconstruct the deeds and lives
and deaths, all the unplumbed combinations of circumstance in the
cities or countries of our passage. This invisible swarm of "seconds
which have been" hems us about, wherever and whenever we go, with its
traces of suffering and of delight, of unrest, of clashing, of
colour: for the emanations of our souls (like those of the souls of
things) are heavy with various essences which may grow faint, but
never altogether perish.
In this dead November air a soft musical murmur seemed to hang round
the giant tree, as if it were mourning its old age and sadness. In
this autumnal dreaminess the tree was living again some of its passed
life, hearing the times and moments thronging by, contrasting (even
in its least fibre) the brilliancy of yesterday with the sadness of
the failing present. The numberless radiations of the air which for
centuries had made florid its stem seemed to-day to renew about it
their health-giving vibrations. This dust of time, the elements of
old situations great and small, had come from near or far as the case
was: perhaps from the beginning of things in the depths of the abyss.
To-morrow, when the great tree would be no more, it might affect
other forms, and make fertile other existences.
Public-domain text, read in full here on John Shaqi.
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