"Anywhere, anywhere, Out of the world!" that was another couplet from the same poem that was fixed in his brain, and that he found himself constantly quoting, when he was trying to assign reasons for his wife's suicide. Was Henrietta Prendergast right, after all? Had his whole married life been a mistake, a Dead-Sea apple without even the gorgeous external, a hollow sham, a delusion, and a mockery culminating in the semblance of a crime? "Anywhere out of the world," eh? And "out of the world" had meant at first, in the early days, when the first faint dawnings of discontent rose in her mind,--then "anywhere out of the world" was a poor dejected cry of repining at her want of power to influence her husband, to make herself the successful rival of his profession, to wean him from the constant pursuit of science to the exclusion of all domestic bliss, and to render him her companion and her lover. But if Henrietta Prendergast were right, that must have been a mere fancy, which, compared to the wild despair that prompted the heart-broken shriek of "anywhere out of the world" at the last, and which, according to that authority, meant--anywhere for rest and peace and quiet, anywhere where I may stifle the love which I bear him, may be no longer a fetter and a clog to him, and might have to suffer the knowledge that though bound to me, he loves Madeleine Kilsyth. He loves Madeleine Kilsyth! As the thought rose in his mind, he found himself audibly repeating the sentence. His dead wife thought that; and in that thought found life insupportable to her, and destroyed herself! His dead wife! Straightway his thoughts flew back through a series of years, and he saw himself first married,--young, earnest, and striving. Not in love with his wife--that he never had been, he reflected with something like self-excuse--not in love with Mabel, but actually proud of her. When he first commenced his connection, and earned the gratitude of the great railway contractor's wife at Clapham, and that great dame, who was the ruling star in her own circle, intimated her intention of calling on Mrs. Wilmot, Wilmot remembered how he had thanked his stars that while some of his fellow-students had married barmaids of London taverns, or awkward hoydens from their provincial pasture, he had had the good luck to espouse a girl than whom the great Mrs. Sleepers herself was not more thoroughly presentable, more perfectly well-mannered. He recollected the first interview at his little, modest, badly-furnished house, with the dingy maid-servant decorated with one of Mabel's cast-off gowns (not cast off until every scrap of bloom had been ruthlessly worn off it), and the arrival of the great lady in her banging, swinging barouche, with her tawdry ill-got-up footman, and her evident astonishment at the way in which everything was made the most of, and at the taste which characterised the rooms, and her open-mouthed wonder