For a few seconds the young man paused on the edge of the yard and
gazed mistrustfully in front of him. He carried a long gun, the
butt-end of which was hidden under his jacket, while the barrel,
pointed towards the ground, glittered in the moonlight. Pressing the
weapon to his side, he attentively examined the square shadows cast by
the piles of timber. The ground looked like a chess-board, with black
and white squares clearly defined by alternate patches of light and
shade. The sawyers’ tressels in the centre of the plot threw long,
narrow fantastic shadows, suggesting some huge geometrical figure, upon
a strip of bare grey ground. The rest of the yard, the flooring of
beams, formed a great couch on which the light reposed, streaked here
and there with the slender black shadows which edged the different
pieces of timber. In the frigid silence under the wintry moon, the
motionless, recumbent poles, stiffened, as it were, with sleep and
cold, recalled the corpses of the old cemetery. The young man cast but
a rapid glance round the empty space; there was not a creature, not a
sound, no danger of being seen or heard. The black patches at the
further end caused him more anxiety, but after a brief examination he
plucked up courage and hurriedly crossed the wood-yard.
As soon as he felt himself under cover he slackened his pace. He was
now in the green pathway skirting the wall behind the piles of planks.
Here his very footsteps became inaudible; the frozen grass scarcely
crackled under his tread. He must have loved the spot, have feared no
danger, sought nothing but what was pleasant there. He no longer
concealed his gun. The path stretched away like a dark trench, except
that the moonrays, gliding ever and anon between the piles of timber,
then streaked the grass with patches of light. All slept, both darkness
and light, with the same deep, soft, sad slumber. No words can describe
the calm peacefulness of the place. The young man went right down the
path, and stopped at the end where the walls of the Jas-Meiffren form
an angle. Here he listened as if to ascertain whether any sound might
be coming from the adjoining estate. At last, hearing nothing, he
stooped down, thrust a plank aside, and hid his gun in a timber-stack.
An old tombstone, which had been overlooked in the clearing of the
burial-ground, lay in the corner, resting on its side and forming a
high and slightly sloping seat. The rain had worn its edges, and moss
was slowly eating into it. Nevertheless, the following fragment of an
inscription, cut on the side which was sinking into the ground, might
still have been distinguished in the moonlight: “_Here lieth . . .
Marie . . . died . . ._” The finger of time had effaced the rest.
Public-domain text, read in full here on John Shaqi.
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