The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Half-way down this stretch of sunshine--and what a lovely stretch it
was--there had stood for years a venerable mansion with high chimneys,
sloping roof, and quaint dormer-windows, shaded by a tall sycamore that
spread its branches far across the street. Two white marble steps
guarded by old-fashioned iron railings led up to the front door, which
bore on its face a silver-plated knocker, inscribed in letters of black
with the name Of its owner--"Richard Horn." All three, the door, the
white marble steps, and the silver-plated knocker--not to forget the
round silver knobs ornamenting the newel posts of the railings--were
kept as bright as the rest of the family plate by that most loyal of
servants, old Malachi, who daily soused the steps with soap and water,
and then brought to a phenomenal polish the knocker, bell-pull, and
knobs by means of fuller's-earth, turpentine, hard breathing, and the
vigorous use of a buckskin rag.
If this weazened-faced, bald-headed old darky, resplendent in white
shirt-sleeves, green baize apron, and never-ceasing smile of welcome,
happened to be engaged in this cleansing and polishing process--and it
occurred every morning--and saw any friend of his master approaching,
he would begin removing his pail and brushes and throwing wide the
white door before the visitor reached the house, would there await his
coming, bent double in profound salutation. Indeed, whenever Malachi
had charge of the front steps he seldom stood upright, so constantly
was he occupied--by reason of his master's large acquaintance--in
either crooking his back in the beginning of a bow, or straightening it
up in the ending of one.
To one and all inquiries for Mr. Horn his answer during the morning
hours was invariably the same:
"Yes, sah, Marse Richard's in his li'l room wrastlin' wid his machine,
I reckon. He's in dar now, sah--" this with another low bow, and then
slowly recovering his perpendicular with eyes fixed on the retreating
figure, so as to be sure there was no further need of his services, he
would resume his work, drenching the steps again with soap-suds or
rubbing away on the door-plate or door-pull, stopping every other
moment to blow his breath on the polished surface.
When, however, someone asked for young Oliver, the inventor's only son,
the reply was by no means so definite, although the smile was a trifle
broader and the bow, if anything, a little more profound.
Public-domain text, read in full here on John Shaqi.
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