The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
"Marse Oliver, did you say, sah? Dat's a difficult question, sah. Fo'
Gawd I ain't seen him since breakfas'. You might look into Jedge
Ellicott's office if you is gwine downtown, whar dey do say he's
studyin' law, an' if he ain't dar--an' I reckon he ain't--den you might
drap in on Mister Crocker, whar Marse Oliver's paintin' dem pictures;
an' if he ain't dar, den fo-sho he's wid some o' do young ladies, but
which one de Lawd only knows. Marse Oliver's like the rabbit, sah--he
don't leab no tracks," and Malachi would hold his sides in a chuckle of
so suffocating a nature that it would have developed into apoplexy in a
less wrinkled and emaciated person.
Inside of the front door of this venerable mansion ran a wide hall bare
of everything but a solid mahogany hat-rack and table with glass mirror
and heavy haircloth settee, over which, suspended from the ceiling,
hung a curious eight-sided lantern, its wick replaced with a modern
gas-burner. Above were the bedrooms, reached by a curved staircase
guarded by spindling mahogany bannisters with slender hand-rail--a
staircase so pure in style and of so distinguished an air that only
maidens in gowns and slippers should have tripped down its steps, and
only cavaliers in silk stockings and perukes have waited below for
their hands.
Level with the bare hall, opened two highly polished mahogany doors,
which led respectively into the drawing-room and library, their windows
draped in red damask and their walls covered with family portraits. All
about these rooms stood sofas studded with brass nails, big easy-chairs
upholstered in damask, and small tables piled high with magazines and
papers. Here and there, between the windows, towered a bookcase crammed
with well-bound volumes reaching clear to the ceiling. In the centre of
each room was a broad mantel sheltering an open fireplace, and on cold
days--and there were some pretty cold days about Kennedy Square--two
roaring wood-fires dispensed comfort, the welcoming blaze of each
reflected in the shining brass fire-irons and fenders.
Adjoining the library was the dining-room with its well-rubbed mahogany
table, straight-backed chairs, and old sideboard laden with family
silver, besides a much-coveted mahogany cellaret containing some of
that very rare Madeira for which the host was famous. Here were more
easy-chairs and more portraits--one of Major Horn, who fell at
Yorktown, in cocked hat and epaulets, and two others in mob-caps and
ruffles--both ancient grandmothers of long ago.
Public-domain text, read in full here on John Shaqi.
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