The foundations of Japan : $b Notes made during journeys of 6,000 miles in the rural districts as a basis for a sounder knowledge of the Japanese peopleRobertson Scott, J. W. (John William)
General
The foundations of Japan : $b Notes made during journeys of 6,000 miles in the rural districts as a basis for a sounder knowledge of the Japanese people
Robertson Scott, J. W. (John William)
Agriculture -- Japan; Country life -- Japan; Japan -- Description and travel; Japan -- Social conditions
When the _Bon_ season ended on the fourteenth all the flowers and
decorations of the domestic shrines were taken early in the morning to
the bridge over the diminished river and flung down. The idea is
perhaps that they are carried away to the sea. (As a matter of fact
there was so little water that almost everything flung in from the
bridge remained in sight for weeks until there was a storm.) When the
flowers and decorations had been cast from the bridge the people went
off to worship at the graves. Many coloured streamers of paper,
written on by the priest, were flying there.
The _Bon_ dances took place five nights running in the open space
between the Shinto shrine and the old barn theatre. Nothing could have
been duller. The line from _Ruddigore_ came to mind, "This is one of
our blameless dances." The first night the performers were evidently
shy and the girls would hardly come forward. Things warmed up a little
more each night and on the last night of all there was a certain
animation; but even then the movement, the song and the whole scheme
of the dance seemed to be lacking in vigour. What happened was that a
number of lads gradually formed themselves into a ring, which got
larger or smaller as the girls joined it or waited outside. The girls
bunched together all the time. None of the dancers ever took hands.
The so-called dancing consisted of a raising of both arms--the girls
had fans in their hands--and a simple attitudinising. The lads all
clapped their hands together in time, but in a half-hearted kind of
way; the girls struck the palms of their left hands with their fans.
The boys were in clean working dress. Some had towels wound round
their heads, some wore caps and others hats. The girls were got up in
all their best clothes with fine _obi_ and white aprons. The music was
dirge-like. It was not at all what Western people understand to be
singing. The performers emitted notes in a kind of falsetto, and these
five or six notes were repeated over and over and over again. The only
word I can think of which approximately describes what I heard, but it
seems harsh, is the Northern word, yowling. First the lads yowled and
then the girls responded with a slightly more musical repetition of
the same sounds. For all the notice the boys appeared to take of the
girls they might not have been present. The lads and lasses were no
doubt fully conscious, however, of each other's presence. The dancing
took place on the nights of the full moon. But it was cloudy, and,
owing to the big surrounding trees, the performance was often dimly
lit.
Public-domain text, read in full here on John Shaqi.
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