Sincere self-revelation, if well done, is one of the most
esteemed forms of literary production. Montaigne's preface to his
"Essays" is a promise that he lived up to in the sincerity and
frankness of his self and other analysis. "Pepy's Diary" charms
because the naked soul of an Englishman of the seventeenth
century is laid before us, with its trivialities, lusts,
repentance and aspirations. In the latter nineteenth century,
Mary MacLane's diary had an extraordinary vogue because of the
apparent sincerity of the eager original nature there revealed.
We love young children because their selfishness, their
curiosity, their "real" nature, is shown to us in their every
word and act. In their presence we are relaxed, off our guard and
not forced to that eternal hiding and studying that the society
of our equals imposes on us.
We all long for sincerity, but the too sincere are treated much
as the skeptic of Bjoriasen's tale, who was killed by his
friends. As they stood around his body, one said to the other,
"There lies one who kicked us around like a football." The dead
man spoke, "Ah, yes, but I always kicked you to the goal." The
sincere of purpose must always keep his sincerity from wounding
too deeply; he must always be careful and include his own foibles
and failings in his attack, and he must make his efforts witty,
so that he may have the help of laughter. But here the danger is
that he will be listed as a pleasant comedian, and his serious
purpose will be balked by his reputation.
Public-domain text, read in full here on John Shaqi.
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