The Four-Masted Cat-Boat, and Other Truthful TalesLoomis, Charles Battell
General
The Four-Masted Cat-Boat, and Other Truthful Tales
Loomis, Charles Battell
American fiction -- 19th century; Humorous stories, American; Manners and customs -- Fiction; Short stories, American
“I wanted to ask you if you believed in cutting a man’s work--in
other words, do you believe in blue-penciling?”
“Ah, my boy, I see that they have been coloring your manuscript with
the hateful crayon. No, I don’t believe in it. I dislike it now
because it mars my work, and I used to hate it because it took money
from my purse. Let me tell you a little incident.
“One time, years ago, I wrote an article, and after it was done I
figured on what I would get for it and with it. If I sold it to a
certain monthly I had in mind I should receive enough to buy a new
hat, a new suit, a pair of shoes, ditto of socks, and a necktie,
for all of which I stood in sore need. I hied me forth in all the
exuberance of youth and bore my manuscript to the editor. As he was
feeling pretty good, he said he’d read it while I waited. At last he
laid it down and said: ‘That’s a pretty good story.’ My heart leaped
like an athlete. ‘But’--my heart stopped leaping and listened--‘it
will need a little cutting, and I’ll do it now, if you wish.’”
“Poor fellow!” said the Timid Aspirant, sympathetically.
“Well, the first thing that editor did was to cut the socks off of
it; then he made a deep incision in the hat; then he slashed away
at the trousers and did some scattered cutting, and at last handed
the manuscript to me that I might see the havoc he had wrought in
my prospective wardrobe. Dear man, I had a vest and a necktie left,
and that was all. And it would have been the same if it had been a
dinner.”
The Timid Aspirant shuddered.
“Many a young author has seen the soup and the vegetables, and at
last the steak, fade away under the terrible obliterating power of
the indigo crayon, and lucky is he if a sandwich and a glass of water
remain after the editor’s fell work. Blessed is that editor who does
not care to work in pastel,--to whom the blue pencil is taboo,--for
he shall be held in honored remembrance of all writers, and his end
shall be peace.”
“Amen!” said the Timid Aspirant.
XX
THE DIALECT STORE
“I suppose I dreamed it; but if there isn’t such a store, there might
be, and it would help quill-drivers a lot,” said the newspaper man,
as he and his friend were waiting to give their order in a down-town
restaurant yesterday noon.
“What store are you talking about, and what dream? Don’t be so vague,
old man,” said his friend the magazine-writer.
“Why, a dialect store. Just the thing for you. I was walking down
Fifth Avenue, near Twenty-first Street, and I saw the sign, ‘Dialect
shop. All kinds of dialects sold by the yard, the piece, or in
quantities to suit.’ I thought that maybe I might be able to get some
Swedish dialect to help me out on a little story I want to write
about Wisconsin, so I walked in. The place looked a good deal like a
dry-goods store, with counters down each side, presided over by some
twenty or thirty clerks, men and women.
Public-domain text, read in full here on John Shaqi.
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