The Four-Masted Cat-Boat, and Other Truthful TalesLoomis, Charles Battell
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The Four-Masted Cat-Boat, and Other Truthful Tales
Loomis, Charles Battell
American fiction -- 19th century; Humorous stories, American; Manners and customs -- Fiction; Short stories, American
And when you read in London _POnch_, among the court news, that a
great beauty has been presented to the Queen of England, London, and
Ireland, you will know that it is the Comptesse WAllington. She is
presented at all the levees, and, with her husband, the handsome and
philanthropic Lord WAllington, is the cynosure of all English eyes.
It is good to be good.
XXII
ON THE VALUE OF DOGMATIC UTTERANCE
FROM MY “GUIDE TO YOUNG AUTHORS”
My dear young reader, if you are thinking of launching a little craft
upon the troublous sea of literature, see that it is well ballasted
with dogmatic assertions. (I should like to continue this nautical
metaphor further, but I am such a landlubber that I doubt if I should
be able to mix it properly, and what interest has a metaphor if it
be not well mixed?) But to continue in plain English: A dogmatic
assertion carries conviction to the minds of most unthinking
people--in other words, to most people. (You and I don’t think, dear
reader, and is it likely that we are worse than the rest of mankind?)
If you purpose becoming a novelist of character, follow my
directions, and your first book will nail your reputation to the mast
of public opinion. Fill your story full of such utterances as these:
“Chaplain Dole always nodded his head a great many times to express
affirmation. This is a common practice with persons who are a little
hard of hearing.” (It isn’t, and yet it may be, for all I know to the
contrary; but it will carry weight. Nine persons out of ten will say,
“Why, that’s so, isn’t it? Haven’t you noticed it?”)
[Illustration]
It doesn’t matter what you say; if you say it dogmatically it
will go. Thus: “She walked with the slow, timid step that is so
characteristic of English spinsters.” That’s a fine one, for it may
excite contradiction, and contradiction is advertisement. Here are
half a dozen examples: “He tapped his forehead with his left little
finger, a gesture peculiar to people who have great concentration of
mind.” “His half-closed eyes proclaimed him a shrewd business man.
Why is it that your keen man of affairs should always look out at
the world through a slit?” “The child spoke in that raucous tone of
voice that always presages cerebral trouble.” “Miss de Mure waved
her fan languidly, with a scarcely perceptible wrist motion, a sure
indication that she was about to capitulate, but Mr. Wroxhaemme,
not being a keen observer, took no note of it.” And, “He spoke but
three words, yet you sensed that he was an advocate. Why is it that a
lawyer cannot conceal his profession? A doctor may talk all day, and
if he bar shop his vocation will not be detected; but a lawyer tunes
up his vocal chords, as it were, and the secret is out.”
If all the above specimens of “observation” were introduced into
your story the critics would unite in praising your keenness of
vision.
Public-domain text, read in full here on John Shaqi.
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