The Four-Masted Cat-Boat, and Other Truthful TalesLoomis, Charles Battell
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The Four-Masted Cat-Boat, and Other Truthful Tales
Loomis, Charles Battell
American fiction -- 19th century; Humorous stories, American; Manners and customs -- Fiction; Short stories, American
“Alas, sir! I have at home one wife and seventeen children, all
flaxen-haired, and all as poor as I. I cannot bear to go home to them
without even the price of a _biftek_ or a _rosbif_.”
“Come,” said the nobleman; “I will defer my sport for the night. I
have never seen a starving family. It will furnish me with a new
sensation.”
“Ah! but you have a kind heart, and I will not refuse you. The river
will keep. Follow me.”
[Illustration]
They followed each other through the region of the Seven Clocks, and
through Blanc Chapel, afterward the scene of the murders of “Jean
the RApper,” until they came to the wretched apartment of the poor
artisan. There, huddled in the corner of the room, were sixteen of
the starving but still flaxen-haired children. The mother sat near
the fireplace, so that she might be near the warmth when it came. In
the other corner of the room--for they were so poor, these people,
that they could not afford four corners--sat a vision of beauty, aged
seventeen and a girl, _ma foi_! At sight of her the count’s eyes
filled with tears of compassion, and he handed his purse to the
wretched father and said: “My good man, do not stir from here. I will
return in an hour with furniture!”
Tears of gratitude coursed down the thirty-eight cheeks of the poor
family, and they no longer felt hungry, for they knew that in a short
time they would be sitting upon real sofas and rocking in chairs
like those they had seen through the windows of the rich on Holy
Innocents’ Day.
The count, whose full title was Sir Lord _E_rnold CIcil Judas GeorgeS
HErold WAllington, grandson of the great Lord of WAllington, was
as good as his word, and in an hour he returned with six of his
servants, bearing sofas and cushions and tables and tête-à-têtes, and
what not.
The family seated themselves on the furniture, and, clasping his
knees, overwhelmed him with thanks.
“_Dame! Sacré!_” cried he. “It is nothing, this thing I have done.
What is it that it is? Know, then, that for the first time in my life
I have the happiness.” Then, turning to the father: “Give me the
purse. I left it as a collateral. Now that you have the furniture,
you will not need it. But that angelic being there, she shall never
weep again. I will take her with me.”
“Ah!” said the mother; “but that is like you, Count WAllington.
You mean that she is to be a maid in your father’s house? Ah! what
prosperity!”
“Ah! do not insult the most beautiful being who ever went about in a
London fog. She a servant? Never! I will make her my wife. She shall
be Miledi Comptesse _E_rnold CIcil Judas GeorgeS HErold WAllington!”
In Southwark-on-Trent, a suburb of London, is the hospital for those
about to commit suicide. Ring the bell at the gate, and you will be
admitted by sixteen flaxen-haired ones who will conduct you to the
governor and matron. Need I say who they are, or whose money built
the institution?
Public-domain text, read in full here on John Shaqi.
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