The Freaks of MayfairBenson, E. F. (Edward Frederic)
General
The Freaks of Mayfair
Benson, E. F. (Edward Frederic)
England -- Social life and customs -- 20th century -- Fiction; Humorous stories, English; Short stories, English
He had considerable musical taste, as well as proficiency on the piano,
and very soon his life became a busy one in the sense, at any rate, that
he had very little time for his embroidery. He built out a big room at
the back of his house, and gave tinkling little modern musical parties,
at which he introduced masses of young geniuses to the notice of his
friends. Also he took to practising his piano with some seriousness, and
would often forgo his walk to the club and his perusal of the morning
papers in order to work at his music, and sat at his instrument for two
hours together, with his rings and his handkerchief on the
candle-brackets. His taste was modern, and he liked the kind of piece
about which you are not sure if it is over or not, or what has happened.
He paid quantities of country-house visits to the homes of his old-lady
friends and his step-mother’s cousins, where he would sit in the library
reading and writing his letters till half-past twelve, and take a little
stroll with a brown cape on his arm till lunchtime. He sketched too, and
produced rather messy water-colours of churches and beech-trees, and
made crayon-portraits of his hostess or her boys, which he always sent
her with his letter of thanks for a most pleasant visit, neatly framed.
His portraits of elderly ladies had a certain resemblance to each
other, being based on a formula of a lace cap, a row of pearls, and a
thoughtful expression. He had a similar formula for young men, of which
the chief ingredients were a cricket-shirt and no coat or Adam’s apple,
long eyelashes, and a girlish mouth. He was not good at eyes, so his
sitters were always looking down. After lunch at these most pleasant
visits he went out for a drive in a motor to see some neighbouring point
of interest or to call on some adopted cousin whom he had discovered to
live somewhere about. He rested in his own room after these fatigues and
excitements for an hour before dinner, with his feet up and a
dressing-gown on, and afterwards would work on a crayon-sketch, play the
piano, or make himself agreeable to anybody who was in need of gentle
conversation. Often he would settle down thus in a friend’s house for a
fortnight at a time, in which case he brought his embroidery and his car
with him, and was most useful in taking other guests out for drives, or
bringing home members of a shooting-party. Occasionally, for no reason,
he roused violent antagonism in the breasts of rude brainless men, and
after he had left the smoking-room in the evening, one would sometimes
say to another, ‘Good God! What is it?’
Public-domain text, read in full here on John Shaqi.
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