The Freaks of MayfairBenson, E. F. (Edward Frederic)
General
The Freaks of Mayfair
Benson, E. F. (Edward Frederic)
England -- Social life and customs -- 20th century -- Fiction; Humorous stories, English; Short stories, English
She often thought about Nittie Vandercrump screaming away in
New York, and even adopted a modified version of her yells of pleasure.
These she gave vent to when dull people, who for some reason mattered,
told her long stupid stories, and found that they had achieved, for the
first time in their lives, a brilliant and startling success.
Naturally she made quantities of mistakes. Occasionally a man at her
table would find in his neighbour a woman with whom he had not been on
speaking terms for years, or again, she solemnly introduced Bob Crawley
to the wife he had divorced a year before, and immediately afterwards to
the woman concerning whom his wife might have divorced him the year
before that. Nor could she at first grasp the fact that a Duchess
perhaps did not matter at all, and that Mrs. Smith mattered very much,
and she had to drop the Duchess and smooth down Mrs. Smith. But these
were mere childish stumbles, and having picked herself up she again
clung tightly with one hand to her godmother and with the other to her
mascot, the Russian dancer.
And all the time while she was so nimbly climbing, she and
Petropopoloffski were sitting on a great egg which was to be hatched in
the autumn, when London would be full again for the session. Russian
ballet this year was the rage to the exclusion of all other rages, and
the great egg was no less than a further six-weeks season of it,
financed and engineered by Sarah. Not until when late in July the egg
was, so to speak, announced, did any one, even her godmother, know that
it was she who had laid it, and she who had Petropopoloffski in her
pocket, and she who had taken the Duke of Kent’s theatre for it, and she
who had arranged to have the dress-circle and pit taken away and rows of
boxes substituted, and she, finally, who had taken thirty-seven boxes
herself, so that only through her favour could anybody engage them. It
was a great, a brilliant stroke, hazardous perhaps, but then everybody
wanted to see Russian ballet so much that they would not stick at being
indebted to her for their boxes. But it came off: within a couple of
days of the subscription list being opened, all boxes not reserved by
her had been let, and she began most cordially to allow applicants to
have some of hers. Very wisely, she gratified no private slights by
refusing them, she only made friends by granting them. She kept just two
or three of the best, in case of emergencies.
Public-domain text, read in full here on John Shaqi.
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