France -- History -- Louis XVI, 1774-1793; France -- History -- Revolution, 1789-1799
Meanwhile, what shall an impartial prudent Courtier do? In these
delicate circumstances, while not only death or life, but even
sacrament or no sacrament, is a question, the skilfulest may
falter. Few are so happy as the Duke d’Orléans and the Prince de
Condé; who can themselves, with volatile salts, attend the King’s
ante-chamber; and, at the same time, send their brave sons (Duke
de Chartres, _Egalité_ that is to be; Duke de Bourbon, one day
Condé too, and famous among Dotards) to wait upon the Dauphin.
With another few, it is a resolution taken; _jacta est alea_. Old
Richelieu,—when Beaumont, driven by public opinion, is at last
for entering the sick-room,—will twitch him by the rochet, into a
recess; and there, with his old dissipated mastiff-face, and the
oiliest vehemence, be seen pleading (and even, as we judge by
Beaumont’s change of colour, prevailing) “that the King be not
killed by a proposition in Divinity.” Duke de Fronsac, son of
Richelieu, can follow his father: when the Curé of Versailles
whimpers something about sacraments, he will threaten to “throw
him out of the window if he mention such a thing.”
Happy these, we may say; but to the rest that hover between two
opinions, is it not trying? He who would understand to what a
pass Catholicism, and much else, had now got; and how the symbols
of the Holiest have become gambling-dice of the Basest,—must read
the narrative of those things by Besenval, and Soulavie, and the
other Court Newsmen of the time. He will see the Versailles
Galaxy all scattered asunder, grouped into new ever-shifting
Constellations. There are nods and sagacious glances;
go-betweens, silk dowagers mysteriously gliding, with smiles for
this constellation, sighs for that: there is tremor, of hope or
desperation, in several hearts. There is the pale grinning Shadow
of Death, ceremoniously ushered along by another grinning Shadow,
of Etiquette: at intervals the growl of Chapel Organs, like
prayer by machinery; proclaiming, as in a kind of horrid diabolic
horse-laughter, _Vanity of vanities, all is Vanity!_
Chapter 1.1.IV.
Louis the Unforgotten.
Poor Louis! With these it is a hollow phantasmagory, where like
mimes they mope and mowl, and utter false sounds for hire; but
with thee it is frightful earnest.
Public-domain text, read in full here on John Shaqi.
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