Of love affairs, other than those here indicated, that may have transpired in Elizabeth's experience before the catastrophe, we know little or nothing. No doubt certain emotional adventures occurred as the years passed. She was exceptionally cultivated and entertaining and all accounts agree that she was beautiful, though her exact type of beauty is a matter of speculation, for her portrait which for years after her death hung in her old home was destroyed in 1831, when the house was burned--perhaps with much memoranda which would have given us a clue to her secret. The following well-rounded sentence from Mrs. Locke's historically inaccurate but emotionally true preface to the edition of 1866 of "The Coquette" is not without its character-illuminating quality. "By her exceeding personal beauty and accomplishments," wrote Mrs. Locke of Elizabeth, of whose personality she seems to have had some reliable evidence, "added to the wealth of her mind, she attracted to her sphere the grave and the gay, the learned and the witty, the worshippers of the beautiful, with those who reverently bend before all inner graces." For a young woman of the period her life was reasonably varied and her acquaintance extensive. At President Stiles's home, and elsewhere in New Haven, where she often visited, she met many men of distinction. She and Betsy Stiles both spoke French fluently and it is said that Elizabeth was greatly admired by several of the French officers who had known Dr. Stiles at Newport and who called upon him from time to time at New Haven. Certain, it must be confessed rather indefinite, "foreign secretaries" are alleged to have fallen victims to her charms. There is an intimation that after her father's death she did not always find life at home congenial. This is an inference--though not entirely an inference--that one may readily accept. There was an irony in the fate that placed this vivid creature in a New England parsonage in the last half of the eighteenth century. Paris or Florence in the days of the Renaissance--in such a setting one can visualize her. But, alas! there was little in common between the New England of 1780 and the France or Italy of three hundred years before. And yet one thing was common--as it is common wherever individuals of the human race abide. When the great passion overwhelmed her and swept her away from all that she had known to a mysterious end, Elizabeth Whitman was no longer a young girl. She was a woman of experience, knowing the ways of her world as well as any one of her day and time. The love that broke down all restraints, that surrendered everything, that threw the world away, was no ordinary affair of the heart. It was, in truth, the irresistible, the incredible, the historic passion. It was of a piece with the substance of which the great dramas of the world are made and against the New England scene it now became the motif of a tragedy.