Herr Lindau repeats a pun which was current on such occasions. "Musset s'absente trop," said some one. "Il s'absinthe trop," replied some one else. He had been elected to the Academy in 1852. His speech on the occasion of his reception was a disappointment to his auditors. Herr Lindau attributes the sterility of his later years to indolence and perversity; and it is probable that there is not a little justice in the charge. He was unable to force himself; he belonged to the race of gifted people who must do as it pleases them. When a literary task was proposed to him and he was not in the humor for it, he was wont to declare that he was not a maid-of-all-work, but an artist. He must write when the fancy took him; the fancy took him, unfortunately, less and less frequently. With a very uncertain income, and harassed constantly by his debts, he scorned to cultivate a pecuniary inspiration. He died in the arms of his brother in the spring of 1857. He was beyond question one of the first poets of our day. If the poetic force is measured by the _quality_ of the inspiration--by its purity, intensity, and closely personal savor--Alfred de Musset's place is surely very high. He was, so to speak, a thoroughly _personal_ poet. He was not the poet of nature, of the universe, of reflection, of morality, of history; he was the poet simply of a certain order of personal emotions, and his charm is in the frankness and freedom, the grace and harmony, with which he expressed these emotions. The affairs of the heart--these were his province; in no other verses has the heart spoken more characteristically. Herr Lindau says very justly that if he was not the greatest poet among his contemporaries, he was at any rate the most poetically constituted nature. A part of the rest of Herr Lindau's judgment is worth quoting: He has remained the poet of youth. No one has sung so truthfully and touchingly its aspirations and its sensibilities, its doubts and its hopes. No one has comprehended and justified its follies and its amiable idiosyncrasies with a more poetic irony, with a deeper conviction. His joy was young, his sorrow was young, and young was his song. To youth he owes all happiness, and in youth he sang his brightest chants. But the weakness of youth was his fatal enemy, and with youth faded away his joy in existence and in creation.