In the first volume of his "Imaginary Conversations" Landor said of
Wordsworth: "Those who attack him with virulence or with levity are men
of no morality and no reflection." In a later volume, however, Landor
attacks him thus himself, with both virulence and levity, as I fear we
must say, and Wordsworth declined to profit by these later gibing
criticisms, though some of them, and especially those upon the "Anecdote
for Fathers," were valuable, and suggested real improvements of text. In
this attack, which is contained in the second conversation of Southey
and Porson, Landor had noticed Wordsworth's adoption of his earlier
criticism of Laodamia; and this circumstance was probably a reason why
Wordsworth refused to receive further critical favors at his hands. The
poem "Goody Blake and Harry Gill," for instance, sharply criticised by
Landor, stood almost untouched through the editions of fifty years. And
in a letter of 1843, recently published for the first time,[E]
Wordsworth speaks thus severely of an attack made upon his son-in-law,
Edward Quillinan, by Landor: "I should have disapproved of his
[Quillinan's] condescending to notice anything that a man so deplorably
tormented by ungovernable passion as that unhappy creature might eject.
His character may be given in two or three words: a madman, a bad man;
yet a man of genius, as many a madman is." That criticism seems rather
more than righteously severe; but Wordsworth, while he cared little for
the criticism of the reviews, felt keenly the lash of the violent
Landor. The violent Landor we must call him, for violence was the too
dominant trait of his noble genius; and he exasperated Wordsworth, as we
see. But compare what I have just quoted with his familiar remark about
the small critics: "My ears are stone dead to this idle buzz, and my
flesh as insensible as iron to these petty stings." That Wordsworth said
at thirty-six years of age; and here is a striking reminiscence recorded
during his later years, and published in the "Prose Works." At
seventy-one he said to Lady Richardson:
Public-domain text, read in full here on John Shaqi.
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