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THE
GALLERY
By ROG PHILLIPS
ILLUSTRATOR LLEWELLYN
_Aunt Matilda needed him
desperately, but when he
arrived she did not want
him and neither did anyone
else in his home town._
I was in the midst of the fourth draft of my doctorate thesis when Aunt
Matilda's telegram came. It could not have come at a worse time. The
deadline for my thesis was four days away and there was a minimum of
five days of hard work to do on it yet. I was working around the clock.
If it had been a telegram informing me of her death I could not have
taken time out to attend the funeral. If it had been a telegram saying
she was at death's door I'm very much afraid I would have had to call
the hospital and order them to keep her alive a few days longer.
Instead, it was a tersely worded appeal. ARTHUR STOP COME AT ONCE STOP
AM IN TERRIBLE TROUBLE STOP DO NOT PHONE STOP AUNT MATILDA.
So there was nothing else for me to do. I laid the telegram aside and
kept on working on my thesis. That is not as heartless as it might seem.
I simply could not imagine Aunt Matilda in terrible trouble. The end of
the world I could imagine, but not Aunt Matilda in trouble.
[Illustration: Wherever he went Arthur felt the power behind the lens.]
She was the classic flat-chested ageless spinster living alone in the
midst of her dustless bric-a-brac and Spode in a frame house of the same
vintage as herself at the edge of the classic small town of Sumac, near
the southwest corner of Wisconsin. I had visited her for two days over a
year ago, and she had looked exactly the same as she had when I stayed
with her when I was six all summer, and there was no question but what
she would some day attend my funeral when I died of old age, and she
would still look the same as always.
* * * * *
There was no conceivable trouble of terrestrial origin that could touch
her--or would want to. And, as it turned out, I was right in that
respect.
I was right in another respect too. By finishing my thesis I became a
Ph.D. on schedule, and if I had abandoned all that and rushed to Sumac
the moment I received the telegram it could not have materially altered
the outcome of things. And Aunt Matilda, hanging on the wall of my
study, knitting things for the Red Cross, will attest to that.
You, of course, might argue about her being there. You might even insist
that I am hanging on her wall instead. And I would have to agree with
you, since it all depends on the point of view and as I sit here typing
I can look up and see myself hanging on her wall.
But perhaps I had better begin at the beginning when, with my thesis
behind me, I arrived on the 4:15 milk run, as they call the train that
stops on its way past Sumac.
Public-domain text, read in full here on John Shaqi.
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