If the school is to be the children’s community, there must be some place of general assembly, some forum or theater where the school may take stock of itself. This is provided in the “auditorium,” one of the original and essential features of the Gary plan. “Auditorium,” to which a daily hour is given, is devoted to purposes different from the religious exercises, declamations, and moral homilies common to the “opening exercises” of the ordinary school. It does not even open the day, for the Gary program makes it necessary for the “auditorium” hour to come at periods throughout the day, differing for different classes. The aim is to make it an occasion where anything that is happening of peculiar interest in any part of the school may be dramatically brought to the attention of the rest of the school. In the Gary school, each child goes to “auditorium” for a full hour each day, and listens to a program contributed by pupils or teachers or outside visitors. There is always choral singing; there may be instrumental or phonograph music besides. Lantern-slides and motion-pictures are often shown. There may be talks by the special teachers about their work. The child may see there gymnastic exhibitions,—as has been said, the stage at the Froebel School is so large that a full-sized basketball game may be played upon it before the audience,—folk-dancing, or dramatic dialogues and little plays written by the pupils themselves about interesting things in their study or reading. There may be debates on school issues. What is to be presented in “auditorium” is limited only by the imagination and expressiveness of teachers and children. The teachers in turn have the responsibility of arranging the program, in coöperation with their pupils. Children of widely different ages are sent together to the “auditorium” hour, so that the younger may have their curiosity stimulated about the work of classes that they perhaps have not yet reached, and so that the older may lose that snobbery of age which often causes so much unhappiness in childhood, and tends to fill the adult mind with delusions about the young. This plan, therefore, makes for sympathy between the pupils, makes each child familiar with the activities of the whole school, and prevents that unfortunate segregation and confinement of the ordinary school. Besides being able to look into the various rooms through the glass doors, the child in the Gary school has an opportunity of seeing in “auditorium” in dramatic form the life of his school. The influence of this “auditorium” hour upon the school work, particularly the academic work, can hardly fail to be marked, for it directly motivates all the studies. It is a sort of communal “application” activity. History and literature take on a new meaning, because the material may be studied now always in the light of its possible presentation to the rest of the school in dramatic and intelligent form. Many schools use the dramatic sense to vitalize these