The Gate of Appreciation: Studies in the Relation of Art to LifeNoyes, Carleton Eldredge
Philosophy
The Gate of Appreciation: Studies in the Relation of Art to Life
Noyes, Carleton Eldredge
Aesthetics; Art appreciation; Art criticism
Art is creation. It is the combination of already existing material
elements into new forms which become thus the realization of a
preconceived idea. Both hut and picture rose in the imagination of
their makers before they took shape as things. The material of each
was given already in nature; but the form, as the maker fashioned it,
was new. Commonly we think of art as the expression and
communication of emotion. A picture, a statue, a symphony we
recognize as the symbol of what the artist has felt in some passage
of his experience and the means by which he conveys his feeling to
us. Art _is_ the expression of emotion, but all art springs out of need.
The sense of need which impels expression through the medium of
creation is itself an emotion. The hut which the traveler built for
himself in the wilderness--shaping it according to the design which
his imagination suggested, having reference to his need and to the
character of his materials--was a work of creation; the need which
prompted it presented itself to him as emotion. The picture which
the other wayfarer painted of the storm-swept landscape, a harmony
which his imagination compelled out of discords, was a work of
creation; the emotion which inspired the work was attended by need,
the need of expression. The material and practical utility of the hut
obscures the emotional character of its origin; the emotional import
of the picture outweighs consideration of its utility to the painter as
the means by which his need of expression is satisfied. The
satisfaction of physical needs which results in the creation of
utilities and the satisfaction of spiritual needs which results in the
forms of expression we commonly call works of art differ one from
the other in their effect on the total man only in degree. All works of
use whose conception and making have required an act of creation
are art; all art--even in its supreme manifestations--embraces
elements of use. The measure in which a work is art is established
by the intensity and scope of its maker's emotion and by his power
to body forth his feeling in harmonious forms which in turn recreate
the emotion in the spirit of those whom his work reaches.
Public-domain text, read in full here on John Shaqi.
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