The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present dayNobili, Riccardo
History
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
Nobili, Riccardo
Art -- Forgeries; Collectors and collecting; Forgery of antiquities
The chance way the imposture was exposed makes one wonder how it
was possible for the case to have the honour of serious discussion
among scientists. Among other historical blunders is the supposition
that Newton could have exchanged letters with Pascal on the laws of
gravitation. The former being but nine years old when Pascal died, he
had certainly not yet given his mind to the observations bringing about
his marvellous discovery. Further, as an example of gravitation, Pascal
relates that he has noticed how in a cup of coffee the bubbles are
attracted toward the edge of the receptacle. It is known that coffee
was imported into France some nine years after the death of the great
French philosopher and mathematician.
Leaving the man who does really artistic work we are now introduced to
the majority of the class, mere fabricators of artistic _pastiches_,
which notwithstanding complete absence of meritorious qualities are
nevertheless effective decoys for unwary art lovers.
To this legion belong, of course, the most mediocre painters and
sculptors, those whose chief cunning lies in the transference of age
to their modern fabrications. They are guided in their work mostly by
a considerable amount of practice in restoring old paintings, marbles,
stuccoes, and so forth.
There is also a peculiar type of impostor who plays his tricks solely
for the fun of it, a curious type who for the joy of having cheated
some one, will deny himself the pleasure of revealing his name and
glory in his success.
To this stamp must have belonged M. A. Maillet, a distinguished
chemist who in 1864 took the trouble to publish a book on antediluvian
excavations, for no other purpose evidently than to fool scholars
given to that particular study. Needless to say the volume met with
astonishing success. Among reproductions of genuine antediluvian
relics, the eminent chemist interspersed his writing with spurious and
fantastic illustrations of pretended finds of his own invention. They
consisted of carved bones with figures, symbols and mysterious writings.
To say that no polemic or learned appreciation of the volume followed
its publication would be to slander the too easily kindled enthusiasm
of learned specialists. As usual the polemic revealed the true
character of the volume, but before reaching its conclusion there was
more than one reputation sullied and more than one scientist who lost
caste. The perplexity and chaotic confusion caused by the publication
was felt by M. A. Maillet to be ample recompense for his labour and
expense.
Public-domain text, read in full here on John Shaqi.
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