The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The virtuosity of the narrator Wassermann may have served as a model
for his younger fellow-townsman Bernhard Kellermann (born at Fürth in
1879). He too is a seeker after new forms of expression for psychical
reactions; but he presents himself to us from the very first as a purer
nature of greater delicacy and lucidity. He introduces himself as a
troubadour of narrative art in his first two novels _Yester and Li, a
Story of Longing_ (1904) and _Ingeborg_ (1905). With unutterable
tenderness and richness of tone he depicts in each of these two novels
the love-longing of a solitary nature, the substance of which is
trembling yearning, and the fulfilment of which is a fading dream. A
solitary figure is the hero of the third novel, _The Fool_ (1909), as
well. It is a young clergyman who settles in a small Franconian town
with the sole purpose of doing good. He visits those who are weary and
heavy-laden; with pathetic faith in the goodness of humanity he sees in
every man a brother, and finally he suffers the Saviour's fate of
pining away and dying unrecognized for what he was. This is
Kellermann's profoundest and best work, and it would deservedly be
reproduced here if considerations of space did not compel the selection
of a shorter narrative. As such a narrative _God's Beloved_ (1911)
suggested itself, the work of a later period. For about the year 1910 a
clearly recognizable change takes place in Kellermann's work; he goes
forth into the world, and sojourn abroad causes the gentle dreamer to
awaken into an energetically aggressive, almost brutal man of action.
The sentimental stories of the heart are followed by works of keen
intuition, in which with compelling suggestiveness strange human
communities are comprehended and presented in the characteristic
atmosphere of their milieu. What we find in the insane asylum of _God's
Beloved_ we find also in the lives of Breton fisherfolk in the novel
_The Sea_ (1910); it is unadulterated primitive nature, which blends
the roar of billows and the instinctive ingenuousness of the islanders
into a mighty harmony.
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