The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
If it would not have been too ill-natured, he might have handed her the
alphabet, to imagine for herself, out of that, such laudatory poem as
would please her, and set it to the first melody that came to hand; but
she was not to escape out of this business without mortification. A
short time after, she had to learn that the very same evening he had
written, at the foot of one of Ottilie's favorite melodies, a most
lovely poem, which was something more than complimentary.
Luciana, like all persons of her sort, who never can distinguish between
where they show to advantage and where to disadvantage, now determined
to try her fortune in reciting. Her memory was good, but, if the truth
must be told, her execution was spiritless, and she was vehement without
being passionate. She recited ballad stories, and whatever else is
usually delivered in declamation. At the same time she had contracted an
unhappy habit of accompanying what she delivered with gestures, by
which, in a disagreeable way, what is purely epic and lyric is more
confused than connected with the dramatic.
The Count, a keen-sighted man, soon saw through the party, their
inclinations, dispositions, wishes, and capabilities, and by some means
or other contrived to bring Luciana to a new kind of exhibition, which
was perfectly suited to her.
"I see here," he said, "a number of persons with fine figures, who would
surely be able to imitate pictorial emotions and postures. Suppose they
were to try, if the thing is new to them, to represent some real and
well-known picture. An imitation of this kind, if it requires some labor
in arrangement, has an inconceivably charming effect."
Luciana was quick enough in perceiving that here she was on her own
ground entirely. Her fine shape, her well-rounded form, the regularity
and yet expressiveness of her features, her light-brown braided hair,
her long neck--she ran them all over in her mind, and calculated on
their pictorial effects, and if she had only known that her beauty
showed to more advantage when she was still than when she was in motion,
because in the last case certain ungracefulness continually escaped her,
she would have entered even more eagerly than she did into this natural
picture-making.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account