The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
For a friendship of this character, Winckelmann felt himself born--not
only capable of it, but requiring it to the highest degree. He realized
himself only in the relation of friendship; he recognized himself only
in that image of the whole which requires a third for its completion.
Even at an early period he applied this ideal to a probably unworthy
object; to whom he consecrated himself, for whom he vowed himself to
live and to suffer; for whom he found even in his poverty the means of
being rich, of giving and of sacrificing; indeed he would not have
hesitated to surrender his existence, his very life. It is in this
relation that Winckelmann, even in the midst of poverty and need, feels
rich, generous and happy, because he is able to do something for him
whom he loves above everything else, and in whom he has, as the highest
sacrifice, to excuse even ingratitude.
However the times and circumstances might alter, Winckelmann reshaped
every object of worth with which he came in contact, to fit this ideal
of friendship. Although many of these attachments easily and quickly
vanish, the fine sentiment underlying them won for him the heart of many
an excellent man, and brought him the happiness of living in the most
beautiful relation with the best men of his age and environment.
BEAUTY
Although such a deep need of friendship really creates and idealizes the
object of its affection, the lover of antiquity would, through it alone,
achieve only a one-sided moral excellence. The external world would
offer him little, if along with it a related, similar need and a
satisfying object of this need did not fortunately appear--we refer to
the demand for the sensuously beautiful, as revealed in a tangible
object. For the supreme product of an ever evolving nature is the
beautiful man. It is true that Nature can but seldom produce him,
because the ideal is opposed by many existing conditions, and even her
almighty power cannot tarry long with the perfect, and perpetuate the
beauty it has produced; for, to be exact, we may say it is only for a
moment that the beautiful man remains beautiful.
Public-domain text, read in full here on John Shaqi.
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