The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
would show a frivolous and unholy disposition in its heralds if they
did not bring together the most copious resources within their power
and consecrate them all to religion, so that they might thus perhaps
exhibit it in its appropriate greatness and dignity. Hence it is
impossible, without the aid of poetry, to give utterance to the
religious sentiment in any other than an oratorical manner, with all
the skill and energy of language, and freely using, in addition,
the service of all the arts which can contribute to flowing and
impassioned discourse. He, therefore, whose heart is overflowing with
religion, can open his mouth only before an auditory, where that which
is presented, with such a wealth of preparation, can produce the most
extended and manifold effects.
Would that I could present before you an image of the rich and
luxurious life in this city of God, when its inhabitants come together
each in the fulness of his own inspiration, which is ready to stream
forth without constraint, but, at the same time, each is filled with a
holy desire to receive and to appropriate to himself everything which
others wish to bring before him. If one comes forward before the rest,
it is not because he is entitled to this distinction, in virtue of an
office or of a previous agreement, nor because pride and conceitedness
have given him presumption; it is rather a free impulse of the spirit,
a sense of the most heartfelt unity of each with all, a consciousness
of entire equality, a mutual renunciation of all First and Last, of
all the arrangements of earthly order. He comes forward in order to
communicate to others, as an object of sympathizing contemplation, the
deepest feelings of his soul while under the influence of God; to lead
them to the domain of religion in which he breathes his native air;
and to infect them with the contagion of his own holy emotions. He
speaks forth the Divine which stirs his bosom, and in holy silence the
assembly follows the inspiration of his words. Whether he unveils a
secret mystery, or with prophetic confidence connects the future with
the present; whether he strengthens old impressions by new examples,
or is led by the lofty visions of his burning imagination into other
regions of the world and into another order of things, the practised
sense of his audience everywhere accompanies his own; and when he
returns into himself from his wanderings through the kingdom of
God, his own heart and that of each of his hearers are the common
dwelling-place of the same emotion.
Public-domain text, read in full here on John Shaqi.
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