The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
If, now, the agreement of his sentiments with that which they feel be
announced to him, whether loudly or low, then are holy mysteries--not
merely significant emblems, but, justly regarded, natural indications
of a peculiar consciousness and peculiar feelings--invented and
celebrated, a higher choir, as it were, which in its own lofty
language answers to the appealing voice. But not only, so to speak;
for as such a discourse is music without tune or measure, so there
is also a music among the Holy, which may be called discourse without
words, the most distinct and expressive utterance of the inward man.
The Muse of Harmony, whose intimate relation with religion, although
it has been for a long time spoken of and described, is yet recognized
only by few, has always presented upon her altars the most perfect
and magnificent productions of her selectest scholars in honor of
religion. It is in sacred hymns and choirs, with which the words
of the poet are connected only by slight and airy bands, that those
feelings are breathed forth which precise language is unable to
contain; and thus the tones of thought and emotion alternate with each
other in mutual support, until all is satisfied and filled with the
Holy and the Infinite. Of this character is the influence of religious
men upon one another; such is their natural and eternal union. Do
not take it ill of them that this heavenly bond--the most consummate
product of the social nature of man, but to which it does not
attain until it becomes conscious of its own high and peculiar
significance--that this should be deemed of more value in their sight
than the political union which you esteem so far above everything
else, but which will nowhere ripen to manly beauty, and which,
compared with the former, appears far more constrained than free, far
more transitory than eternal.
But where now, in the description which I have given of the community
of the pious, is that distinction between priests and laymen, which
you are accustomed to designate as the source of so many evils? A
false appearance has deceived you. This is not a distinction between
persons, but only one of condition and performance. Every man is a
priest, so far as he draws others around him, into the sphere which he
has appropriated to himself and in which he professes to be a master.
Every one is a layman, so far as he is guided by the counsel and
experience of another, within the sphere of religion, where he is
comparatively a stranger. There is not here the tyrannic aristocracy,
which you describe with such hatred; but this society is a priestly
people, a perfect republic, where every one is alternately ruler and
citizen, where every one follows the same power in another which he
feels also in himself, and with which he, too, governs others.
Public-domain text, read in full here on John Shaqi.
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