The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The most powerful of Spielhagen's novels is _Storm Flood_ (1877),
in which the inundation caused by the fearful storm on the coast of
the Baltic Sea in 1874 is made a coincident parallel of the calamity
brought about by the reckless speculation of the industrial promoters
of the early seventies. As the catastrophe on the Baltic is the
consequence of ignoring the warnings of physical phenomena in nature,
so the financial crash and family distress which overwhelm the Werbens
and Schmidts are the result of the violation of similar natural laws
in the social and industrial world. The novelist has here reached the
highest development of his art. The course of the narrative gathers
in its wake all the elements of catastrophe, to let them break with
the fury of the tempest over the lives of the characters, but allows
the innocent children of Nature to come forth as the happy survivors
of this wreck and ruin. The characters of Reinhold and Else, who find
their bliss in true love, are his best creations. The poet has here
proved himself a worthy disciple of Shakespeare and Walter Scott.
After this blast of the tempest, the poet turned to the more placid
scenes of his native heath in the novel entitled _Flat Land_ (1879),
in which he describes the conditions of Pomerania between 1830-1840.
The wealth of description and incident, the variety of motive and
situation, make this story one of the most characteristic of Pomeranian
scenery and life.
In the novel _What Is to Come of It?_ (1887), liberalism, social
democracy, nihilism, held in check by the grip of the Iron Chancellor,
contend for the mastery. And what shall the result? The poet answers:
"There is a bit of the Social Democrat in every one," but the result
will be "a and lofty one and a new, glorious phase of an ever-striving
humanity." Here are brought into play typical characters, the
Bismarckian Squire, the reckless capitalist, the particularist with his
feigned liberalism.
Spielhagen's pessimism finds vent in _A New Pharaoh_ (1889), which is
a protest against the Bismarck régime. The ideals of the Forty-eighter
are represented by Baron von Alden, who comes back from America to
visit his old home only to find a new Pharaoh, who knows nothing of the
Joseph of 1848. Finding the Germans a race of toadies and slaves, in
which the noble-minded go under while the base triumph, he turns his
back upon the new empire for good and all. "Nothing is accomplished by
the sword which another sword cannot in turn destroy. The permanent and
imperishable can be accomplished only by the silent force of reason."
Public-domain text, read in full here on John Shaqi.
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