The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
But in contrast to those just mentioned the greater number of his poems
are of a subjective kind. Again the poet writes of his wife, from whom
after all comes every joy that he experiences away from home, and he
only draws her all the closer to his heart since the passing years
have imprinted the first signs of age on her gentle features. His love
is mixed with yearning for the time when they were both young and--for
his home. The yearning for home is at one time expressed in almost
classically pure words, "nach drüben ist sein Auge stets gewandt"
(his eye is ever roaming toward the other land); at another it merely
underlies and glimmers through the devotion with which he paints a
scene from home; at still another the poet's blood surges high and
"fury and longing for home wrestle for his heart." At last he can no
longer stifle his indignation; he calls upon the very dead to arise
and to battle again, and in ringing words shouts to the world "_die
deutschen Gräber sind ein Spott der Feinde_" (the German graves are
mocked by enemies).
Even more strongly than in his political poems the specifically manly
quality in Storm's poetry appears in what we may call his confessional
lyrics. There he gives us his thoughts about immortality: that, in
common with all creation, man too rebels against dissolution, and that
the belief in immortality is only the final, refined, and spiritualized
form of this rebellion. But the true man stands above his own fate and
will not sacrifice reason even to the most seductive promises. The
church stands opposed to such high development of the individual; Storm
thinks poorly of it, and forbids the priest to attend at his grave.
[Illustration: THEODOR STORM
_Permission Berlin Photo. Co., New York_]
As in the realm of the mind the poet opposes the church, so in the
social sphere he attacks feudalism and the bureaucracy. Those whose
national feeling is not deep and comprehensive enough to allow
them to feel at one with the people he stigmatizes as the drop of
poison in German blood. He holds up to ridicule those who need the
pretentiousness of power in order to be happy and would like to gain
it at the cost of the people's liberty. But in pithy words Storm
advises his sons to keep to the truth uncompromisingly, to despise
outward success, but to spare no pains in striving for true worth, not
to sacrifice self-respect to consideration for others but always to
remember that in this life, after all, every one can stand only on
his own feet.
Public-domain text, read in full here on John Shaqi.
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