The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
When, some time later, Hauke's tall, overgrown form ascended the high
mound, the sides of which were planted with turnips and cabbages, he
saw above him, standing beside the low door, the daughter of the master
of the house. One of her somewhat thin arms hung loosely at her side,
her other hand seemed to be feeling behind her for an iron ring, two
of which were fastened to the wall, one on either side of the door, so
that a rider coming to the house could tie up his horse. She seemed to
be looking out over the dike to the sea where, in the still of evening,
the sun was just sinking into the water and sending its last ray to
gild the brown-skinned girl who stood there watching.
Hauke slackened his steps and thought to himself: "She does not look
half bad that way!" And then he had already reached the top. "Good
evening," he said going up to her, "what are your big eyes looking at
now, Jungfer Elke?"
"At something that happens here every evening," she replied, "but which
cannot always be seen every evening." She let the ring drop from her
hand so that it fell back clanging against the wall. "What do you
want, Hauke Haien?" she asked.
"Something that I hope won't displease you," he said. "Your father has
turned out his servant-boy so I thought I might get the place."
She looked him over from head to foot. "You still look rather too
slight to be strong, Hauke," she said, "but two good eyes would serve
us better than two good arms." She looked at him with an almost
lowering glance as she spoke, but Hauke did not falter. "Come along
then," she went on, "the master is in the house, let us go in."
* * * * *
The next day Tede Haien and his son entered the large room of the
dikegrave. The walls were covered with glazed tiles on which to please
the eye, there was here a ship under full sail or an anchor on the
shore, there a recumbent ox before a peasant's house. This durable
wall-covering was broken by an immense wall-bed, the doors of which
were now closed, and a cupboard through the glass doors of which all
sorts of china and silverware might be seen. Beside the door leading
into the adjoining parlor a Dutch clock was let into the wall behind
glass.
The stout, somewhat apoplectic, master of the house sat in an armchair
on a bright-colored woolen cushion at the end of a table that had been
scoured until it shone. His hands were folded over his stomach and his
round eyes were contentedly fixed on the skeleton of a fat duck; knife
and fork lay on a plate in front of him.
"Good day, Dikegrave," said Haien and the dikegrave slowly turned his
head and eyes towards him. "Is it you, Tede?" he replied, and the fat
duck he had just eaten had had its effect on his voice. "Sit down, it's
a long way over here from your house to mine!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account