The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"Good-night then," the day laborer called back as he trotted home along
the dike. The servant looked round after him a few times, but the
desire to see something uncanny kept him where he was. Then a dark,
stocky figure came along the dike from the village towards him; it was
the dikegrave's stable boy. "What do you want, Karsten?" the man called
out to him.
"I?--nothing," answered the boy; "but the master wants to speak to you,
Iven Johns."
The man had his eyes fixed on the islet again. "All right; I'm coming
in a minute," he said.
"What are you looking at?" asked the boy.
The man raised his arm and pointed to the islet in silence. "Oh ho!"
whispered the boy; "there's a horse--a white horse--it must be the
devil who rides it--how does a horse get out there on Jevershallig?"
"Don't know, Karsten; if only it's a real horse!"
"Oh, yes, Iven; look, it's grazing just like a horse! But who took
it out there; there isn't a boat big enough in the whole village!
Perhaps after all it's only a sheep; Peter Ohm says, in the moonlight
ten stocks of peat look like a whole village. No, look! Now it's
jumping--it must be a horse!"
The two stood for a time in silence, their eyes fixed on what they
could see but indistinctly over there. The moon was high in the sky
and shone down on the broad shallow sea whose rising tide was just
beginning to wash over the glistening stretches of mud; no sound of
any animal was to be heard all around, nothing but the gentle noise of
the water; the marsh too, behind the dike, was empty; cows and oxen
were all still in their stalls. Nothing was moving; the only thing that
seemed to be alive was what they took to be a horse, a white horse,
out on Jevershallig. "It's growing lighter," said the man breaking the
silence; "I can see the white sheep bones shining clearly."
"So can I," said the boy, stretching his neck; then, as if an idea
had suddenly struck him, he pulled at the man's sleeve. "Iven," he
whispered, "the horse's skeleton that always used to lie there, where
is it? I can't see it!"
"I don't see it either, that's queer!" said the man.
"Not so very queer, Iven! Sometimes, I don't know in what nights, the
bones are said to rise up and act as if they were alive."
"So?" said the man; "that's old wives' superstition!"
"May be, Iven," said the boy.
"Well, I thought you came to fetch me; come on, we must go home.
There's nothing new to see here."
The boy would not move till the man had turned him round by force and
pulled him onto the path. "Listen, Karsten," he said when the ghostly
island was already a good bit behind them, "they say you're a fellow
that's ready for anything; I believe you'd like best to investigate
that yourself."
"Yes," replied Karsten, shuddering a little at the recollection, "yes,
I'd like to, Iven."
Public-domain text, read in full here on John Shaqi.
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