The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Throughout nearly the whole summer the battle with Uncle Grünebaum went
on. It was long since the world had seen such an obstinate cobbler.
Tears, pleadings, and remonstrances did not soften, touch or convince
him. A man who could hold his own with the Seven Wise Masters, in every
respect, could not be moved from his standpoint so easily by two silly
women and a stupid boy. He had resolved in his shaggy, manly breast
that Hans Unwirrsch, like all the other Unwirrsches and Grünebaums,
should become a shoemaker and with a mocking whistle he repulsed every
attack on his understanding, his reason and his heart. Scarcely a day
passed on which he did not with his piping rouse Auntie Schlotterbeck
from her calm. The more irritated the women grew, the hotter in their
arguments, the sharper in their words, the more melodious did Uncle
Grünebaum become. He generally accompanied the beginning of every new
discussion with a valiant, warlike tune and brought the conversation to
a vain conclusion with the most melting, yearning melodies.
"Master Grünebaum, Master Grünebaum," cried Auntie, "if the child is
unhappy later it will be your fault--your fault alone! I have never
seen a man like you in all my born days."
Whether Prince Eugene's song was sung as an answer to these words was
open to doubt: Master Grünebaum whistled it like "himself a Turk."
"Oh, Niklas," cried his sister, "what kind of a man are you? He is such
a good child and his teachers are so satisfied with him and his father
wanted him to learn everything that there is to learn. Think of Anton,
Niklas, and do give in, please do, I beg you to."
Uncle Grünebaum did not give in for a long time yet. He expressed the
thought that cobbling was also a fine, meditative, learned business and
that "trade is the mother of money," very strikingly by means of the
melody: "The linen-weavers have a fine old guild," but refused to say
more.
"That's right, go on whistling!" screamed Auntie Schlotterbeck with her
arms angrily akimbo. "Go on whistling, you fool! But I tell you, you
may stand on your head, the child shall go to the great schools and
the universities nevertheless. Sit there like a blind bullfinch and go
on whistling. Cousin Christine, don't cry, don't show him you care,
it only gives him a wicked pleasure. Such a tyrant! Such a barbarian!
And after all, it's your child, not his! But the Lord will set things
right, I know, so do take your apron from your eyes. Keep on whistling
now, Master Grünebaum, but remember, you'll answer for it by and by;
think what you will say to Master Anton up above when the time comes!"
It seemed as if when the time came Uncle Grünebaum intended to justify
himself to his sainted brother-in-law by the beautiful song: "A
squirrel sat on the thorny hedge"--at least he whistled it with pensive
emotion, and twiddled his thumbs in accompaniment.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account