The German Classics, v. 20: Masterpieces of German Literature Translated into English
General
The German Classics, v. 20: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
In addition, she suddenly remembered having seen him. It must have been
he, if she but half comprehended the confused descriptions of his
person. It was a year ago, one early morning in the first days of
spring. Seized by the general unrest with which the vernal season stirs
the blood and rouses the sleeper sooner than his wont, she had wandered
from the chateau, over the vine-clad hills, into the woody vale of
Rolx. And as she strode through the dewy underbrush glistening with
sunshine, above her the warbling of birds and the glowing blue of the
celestial dome, beneath her the earth breathing like a sentient being,
she caught sight of a man of powerful build who was standing erect,
bareheaded, with nose in the air, and was enjoying with a preternatural
eagerness, with distended gaze, all that lay open for enjoyment--the
scents, the sun, the intoxicating dewiness, the splendor of the
heavens. He seemed to scent it all, sniffing like a dog or a deer, and
while his upturned face bore an expression of unfettered, smiling
satisfaction, his arms, hanging by his side, trembled as in a spasm.
She was frightened then; she fled without his perceiving her, without
his hearing the sound of her footsteps. Now the picture assumed a
different significance. Often when she was alone she would abandon
herself to a fancied image of that hour: how she had gone forward to
meet the singular being, and by skilfully planned questions beguiled
answer upon answer from his stubborn lips, and how, unable to disguise
his feelings any longer, he had spontaneously opened his heart to her.
And one night he came riding on a wild steed, forced his way into the
castle, took her and rode away with her so swiftly that it seemed as if
the storm was his servant, and lent wings to his steed. When the talk
at table or in company turned upon Bastide Grammont and his murderous
crime, of which no one stood in doubt, Clarissa never occupied herself
with the enormity of the deed, which must forever separate such a man
from the fellowship of the good. Enveloped in a voluptuous mist, she
was sensible of the influence of his compelling force, of the heroic
soul that spoke in his gestures, of the reality of his existence and
the possibility of a close approach to the figure which persisted in
haunting her troubled dreams. She was frightened at herself; she gazed
into the dreaded depths of her soul, and she often felt as if she
herself were lying in prison and Bastide were walking back and forth
outside, planning means for forcing the door, while his swift steed was
neighing in triumph.
Public-domain text, read in full here on John Shaqi.
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