The German Classics, v. 20: Masterpieces of German Literature Translated into English
General
The German Classics, v. 20: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Now she was entangled in all the talk, whisperings, and tales, and the
whole mass of abominations, too, in which design and arbitrariness were
hopelessly mingled, passed, steadily growing, before her. The thing had
an increasingly strange effect upon her, and she felt as if she were
breathing poisoned air; she would walk through one of the streets of
Rodez and fancy that all eyes were fastened upon her in accusation, so
that she hastened her steps, hurried home, pale and confused, and gazed
at herself in the mirror with faltering pulse.
She had recently been entertained at the estate of a family on terms of
friendship with her father. One day the master of the house, a scholar,
was thrown into great agitation over the loss of a valuable manuscript.
The servants were ordered to ransack every room, but no one was
suspected of theft. Clarissa fell by and by into a painful state; she
imagined that she was suspected; in every word she felt a sting, in
every look a question; she took part in the search with anxious zeal,
fevered visions of prison and disgrace already floated before her, she
longed to hasten to her father, to assert her innocence--when suddenly
the manuscript was found under some old books; Clarissa breathed again
as if saved from peril of death, and never before had she been as
witty, talkative, and captivatingly lovable as in the hours that
followed.
When in the imagination of the multitude the lady with the green
feathers grew steadily more distinct, along with the other figures
implicated in the brutal slaughter of poor Fualdes, Clarissa was thrown
into a consternation with which she only trifled at first, as if to
test herself in a probability or balance herself upon a possibility,
like a lad who with a pleasing shudder ventures upon the frozen surface
of a stream to test its firmness. She devoured the reports in the
newspapers. The timorous dallying grew into a haunting idea, chiefly
owing to the fact that she really was the possessor of a hat with green
feathers. That circumstance could not be regarded as remarkable.
Fashion permitted the use of green, yellow, or red feathers;
nevertheless, the possession of the hat became a torment to Clarissa.
She dared no longer touch it; it seemed to her as if the feathers were
enveloped in a bloody lustre, and she finally hid it in a lumber-room
under the roof. She busied herself with plans of travel, and meant to
visit Paris; but her resolution grew more shaky every day. Meanwhile
June set in. A traveling theatrical company gave a number of
performances in Rodez, and an officer by the name of Clemendot, who had
long been pursuing Clarissa with declarations of love, but who had
always, on account of his commonplaceness and evident crudity, been
coolly, nay, at times ignominiously repulsed, brought her a ticket and
invited her to accompany him to the theatre. She declined, but at the
last moment she felt a desire to go, and had to suffer Captain
Public-domain text, read in full here on John Shaqi.
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