The German Classics, v. 20: Masterpieces of German Literature Translated into English
General
The German Classics, v. 20: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
His examination lasted but a short time. It was only a matter of form,
for his fate was sealed. With Bach, Colard, and the other accomplices,
Monsieur d'Enjalran's task was easy; their testimony was petrified, as
it were. Bousquier had died in prison. Of the others, each one sought
to grab at a little remnant of innocence; they produced the impression
of men crushed and wholly bereft of will-power. A sensation was created
by old Bancal, who became hysterical during his examination, and then,
protesting his innocence, behaved like a madman. The humpbacked
Missonier grinned when the question of his presence at the murder was
discussed; he had become brutalized by his long imprisonment and the
repeated examinations. Little Madeleine Bancal behaved like an actress,
and greeted her acquaintances and patrons in the audience by throwing
them kisses. Rose Feral turned deadly pale at the sight of the bloody
rags on the Judge's table, and could not utter a word. Madame Bancal
remembered that Monsieur Fualdes was dragged into her house by six men,
that he was made to sign a number of papers, crisscross, as she said.
The day following, she had found one of these bills, made out upon
stamped paper, but as it was stained with blood, had burned it. More
than that she positively refused to confess, met all questions with a
stolid silence, and declared finally that whatever else she knew she
would confide to her confessor alone.
The witnesses testified placidly the most incredible things. Their
memory was so good that they recollected the hour and minute of the
merest trifles, which are forgotten from one day to the next. In night
and fog they had seen and recognized people, their features, their
gestures, the color of their clothes. They had heard speaking,
whispering, sighing, through thick walls. A beggar by the name of
Laville, who used to sleep in Missonier's stable, had heard not only
the organ-grinders but also four men carrying a burden, something like
men dragging a barrel. Bastide Grammont laughed repeatedly at
statements which he declared to be shameless lies. When the Bancal
woman began her testimony he remarked that since it came so late he had
expected that the old woman would be delivered of it with still greater
difficulty. To another witness he represented, in a vibrating voice,
how the hand of Heaven rested heavy upon her, and reminded her of the
awful death of her child. He was like a fencer whose opponent is the
mist; nobody, indeed, replied to him, he stood alone, the
contradictions which he believed he had demonstrated remained there,
that was all. At first he was self-confident and maintained his
composure, looked firmly into the witnesses' faces; then he felt as if
his sense for the significance of words were leaving him, not alone for
his own but for that of all the words in existence, or as if the ground
were giving way under him and he were falling irresistibly from space
to space into an awful, infinite, boundless void.
Public-domain text, read in full here on John Shaqi.
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