The German Classics, v. 20: Masterpieces of German Literature Translated into English
General
The German Classics, v. 20: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Bastide still slept on, that abysmal sleep where total oblivion chains
and numbs body and spirit. Then he began to dream. He found himself in
a spacious, secluded chamber, the centre of which was occupied by a
richly decked table. Many people were seated around it; they were
carousing and having a merry time. Suddenly all eyes were turned to the
middle of the table, where a vessel of opaque blue glass, which had not
been there before, now stood. What was in the glass receptacle? what
could it signify? who brought it? was asked in muffled tones. Thereupon
an uncanny silence ensued; all gazed now at the blue vessel, now, with
sullen suspicion, at each other. All at once, the jovial revelers of a
few moments ago arose and one accused the other of having placed the
covered dish on the table. A violent clamor now arose, some drew their
poniards, others swung chairs about, and meanwhile a slim, nude girl's
figure was seen to emerge, like white smoke, from the vessel on the
table. Bastide knew the face, it was that of the false witness
Clarissa; with snake-like glistening eyes she gazed at him, always only
at him. All the men followed her glance and they hurled themselves upon
him. "You must die! You must die!" resounded from hoarse throats, but
while they were still shouting their voices died away, the shadowy arms
of the false witness stretched themselves out and divided one of the
walls, exposing to view a blooming garden, in the centre of which stood
a scaffold hung with branches laden with ripe fruit. Bastide was a boy
once more; slowly he strode out, Clarissa's hands waved above him and
plucked the fruit, and his fear of death was dulled by their
intoxicating perfume, which, like a cloud, filled the entire hall, nay,
the entire universe.
Here he awoke. His first drowsy glance fell upon the flickering light
of the lantern, the second upon a huge pear, which, yellow as a rising
moon, lay at his bedside. In dazed, joyous astonishment he grasped it,
but on raising it to his lips noticed that it was stained with blood.
He was startled, thought he was still dreaming. Beyond the windows the
gray light of dawn was already spreading. Now he caught sight of the
other fruit, gorgeous and abundant, as if paradise had been pillaged.
But all was stained with blood ... A little rivulet of blood, divided
into two streams, trickled over from the corner of the wall.
And Bastide saw ...
He tried to rise, but his unfinished sleep still paralyzed his body.
Bitter and wild grief wrung his breast. He longed no more for the day
which awoke so drearily outside; weary of his own heart-beats and
perfectly sure of what had happened and must happen, he yearned for the
final end. He desired no special knowledge of the consummated fate of
the being on the other side of the cell, who, dominated by mysterious
spirits, had trust herself into his path--no knowledge of men and what
they built or destroyed. Man was an abomination to him.
Public-domain text, read in full here on John Shaqi.
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