The German Emperor as Shown in His Public UtterancesWilliam II, German Emperor
History
The German Emperor as Shown in His Public Utterances
William II, German Emperor
Germany -- History -- William II, 1888-1918 -- Sources; Germany -- Politics And Government -- 1871-1918
I had in mind when I approached the solution of this problem, if I
were successful, to show to the world what I considered to be the most
advantageous method of solving an artistic question of this character.
The best way to go about it, I believe, consists not in the appointment
of commissions, not in the establishment of all possible kinds of prize
contests and competitions, but in following the old established method
which they used in classical times and also later in the Middle Ages.
In this way, the direct intercourse between the employer and the artist
offers a security for the favorable shaping of the work and for the
successful accomplishment of the task.
I am especially indebted in this particular to Professor Rheinhold
Begas in that, when I went to him with these thoughts, he made it clear
to me without further ceremony that there was absolutely no doubt but
that there were enough artists of all kinds in Berlin to carry out
such an idea without difficulty. With his help and on the basis of
friendships formed in the circle of sculptors here through visits to
exhibitions and studios I did, indeed, succeed in getting together
a staff with which to proceed in carrying out this task--a staff the
greater part of which I see gathered about me here to-day.
I believe that you will not deny that I have made the execution of the
programme developed by me as easy as possible for you. I have placed
the task before you and limited it in a general way, but for the rest
I have given you absolute freedom, not only freedom in the combination
and composition but precisely that freedom to put into it a certain
amount of yourselves--a thing that every artist must do in order to put
his own stamp upon his work; for every work of art contains within it a
kernel of the artist's own character. I believe that this experiment,
if I may call it so, through which the Siegesallee was completed, dare
be looked upon as a success.
Although interviews have been necessary between me and the artists
who were carrying out the work in order to settle every doubt and to
answer every question, no difficulties of a more serious nature have
shown themselves. I believe, therefore, that from this point of view
we can look back upon the Siegesallee with general satisfaction. You
have individually solved your problems as you saw fit, and I, on my
side, have the feeling that I have allowed you the fullest measure of
freedom and time--a thing I hold to be necessary for the artist. I have
never gone into details and have contented myself with giving merely
the direction, the impulse.
Public-domain text, read in full here on John Shaqi.
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