He had thrown himself on a sofa, still striving to be rid of his
remorseful visitations, when the library door opened, and the inside man
appeared, with his hand held bashfully over his nose. It flashed on him
at once, that his tenant's husband was the servant of a family like this
fellow; and, irritated that the whole matter should be thus broadly
forced upon him in another way, he harshly asked him what he wanted. The
man only came in to say that Mrs. Renton and the young lady had gone out
for the evening, but that tea was laid for him in the dining-room. He
did not want any tea, and if anybody called, he was not at home. With
this charge, the man left the room, closing the door behind him.
If he could but sleep a little! Rising from the sofa, he turned the
lights of the chandelier low, and screened the fire. The room was still.
The ghost stood, faintly radiant, in a remote corner. Dr. Renton lay
down again, but not to repose. Things he had forgotten of his dead
friend, now started up again in remembrance, fresh from the grave of
many years; and not one of them but linked itself by some mysterious
bond to something connected with his tenant, and became an accusation.
He had lain thus for more than an hour, feeling more and more unmanned
by illness, and his mental excitement fast becoming intolerable, when he
heard a low strain of music, from the Swedenborgian chapel, hard by. Its
first impression was one of solemnity and rest, and its first sense, in
his mind, was of relief. Perhaps it was the music of an evening meeting;
or it might be that the organist and choir had met for practice.
Whatever its purpose, it breathed through his heated fancy like a cool
and fragrant wind. It was vague and sweet and wandering at first,
straying on into a strain more mysterious and melancholy, but very
shadowy and subdued, and evoking the innocent and tender moods of early
youth before worldliness had hardened around his heart. Gradually, as he
listened to it, the fires in his brain were allayed, and all yielded to
a sense of coolness and repose. He seemed to sink from trance to trance
of utter rest, and yet was dimly aware that either something in his own
condition, or some supernatural accession of tone, was changing the
music from its proper quality to a harmony more infinite and awful. It
was still low and indeterminate and sweet, but had unaccountably and
strangely swelled into a gentle and sombre dirge, incommunicably
mournful, and filled with a dark significance that touched him in his
depth of rest with a secret tremor and awe. As he listened, rapt and
vaguely wondering, the sense of his tranced sinking seemed to come to an
end, and with the feeling of one who had been descending for many hours,
and at length lay motionless at the bottom of a deep, dark chasm, he
heard the music fail and cease.
Public-domain text, read in full here on John Shaqi.
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