The ghost of Charlotte Cray, and other storiesMarryat, Florence
Science
The ghost of Charlotte Cray, and other stories
Marryat, Florence
English fiction -- 19th century; Ghost stories, English; Short stories, English
We dress ourselves with the pleasurable anticipation of seeing new
things, however simple, and come down-stairs to a breakfast-table, in
its way as plentifully spread as the dinner-table of the night before.
We have an abundance of milk,--so fresh from the cow that it is
covered with froth, and the jug which contains it is quite
warm,--eggs, cold meat, home-made bread in huge brown loaves, good
butter, and strong clear coffee. In fact, we come to the conclusion
that our landlady knows how to live, and we no longer marvel at the
rosy cheeks and full forms of Thérèse and Josephine, nor that Madame
herself fills out her dresses in such a magnificent manner.
E---- has been for a stroll before breakfast, and brings back a report
of ruins on the high ground; he has already unpacked his sketch-books
and sharpened his pencils. We, not being walking encyclopædias, seize
our _Continental Bradshaw_, and find that the ruins are those of a
castle in which Lafayette was made prisoner by the Austrians in 1792.
As soon as breakfast is concluded, we rush off to see the ruined
castle, which stands on an eminence just above the hotel, and which
our landlady (who walks into our sitting-room and takes a chair in the
most confiding manner possible whenever she feels so inclined) informs
us, although not open to the public, belongs to a lady whose house is
built on the same ground, and who will doubtless allow us to look over
it. We can see the remains of the castle before we reach them, and
decide that it must have been uglier and less interesting when whole
than now, having been evidently designed with a view to strength
rather than beauty. The little winding acclivitous path which leads to
it, bounded by a low wall fringed with ferns and mosses, is perhaps
the prettiest part of the whole concern; but just as we have scaled
it, and come upon the private dwelling-house, our poetic meditations
are interrupted by the onslaught of half-a-dozen dogs (one of which is
loose, and makes fierce snaps at our unprotected legs), which rush out
of their kennels at chains’ length, and bark so vociferously, that we
feel we have no need to make our presence known by knocking at the
door. A child appears at it; and we inquire politely if we may see the
ruins, at which she shakes her head, and we imagine she doesn’t
understand our Parisian French.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account