The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
Nothing is too extraordinary and nothing too exaggerated for her
vitiated taste; and things which in themselves would be useful reforms
if let alone become monstrosities worse than those which they have
displaced so soon as she begins to manipulate and improve. If a
sensible fashion lifts the gown out of the mud, she raises hers midway
to her knee. If the absurd structure of wire and buckram, once called
a bonnet, is modified to something that shall protect the wearer's
face without putting out the eyes of her companion, she cuts hers down
to four straws and a rosebud, or a tag of lace and a bunch of glass
beads. If there is a reaction against an excess of Rowland's Macassar,
and hair shiny and sticky with grease is thought less nice than
if left clean and healthily crisp, she dries and frizzes and sticks
hers out on end like certain savages in Africa, or lets it wander down
her back like Madge Wildfire's, and thinks herself all the more
beautiful the nearer she approaches in look to a negress or a maniac.
With purity of taste she has lost also that far more precious purity
and delicacy of perception which sometimes mean more than appears on
the surface. What the _demi-monde_ does in its frantic efforts to
excite attention, she also does in imitation. If some fashionable
_dévergondée en évidence_ is reported to have come out with her dress
below her shoulder-blades, and a gold strap for all the sleeve thought
necessary, the Girl of the Period follows suit next day; and then she
wonders that men sometimes mistake her for her prototype, or that
mothers of girls not quite so far gone as herself refuse her as a
companion for their daughters. She has blunted the fine edges of
feeling so much that she cannot understand why she should be condemned
for an imitation of form which does not include imitation of fact. She
cannot be made to see that modesty of appearance and virtue in deed
ought to be inseparable; and that no good girl can afford to appear
bad, under pain of receiving the contempt awarded to the bad.
This imitation of the _demi-monde_ in dress leads to something in
manner and feeling, not quite so pronounced perhaps, but far too like
to be honourable to herself or satisfactory to her friends. It
leads to slang, bold talk and general fastness; to the love of
pleasure and indifference to duty; to the desire of money before
either love or happiness; to uselessness at home, dissatisfaction with
the monotony of ordinary life, horror of all useful work; in a word,
to the worst forms of luxury and selfishness--to the most fatal
effects arising from want of high principle and absence of tender
feeling.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account